Recent Posts

• How Bleu made one of pop’s greatest — and funniest — albums about grief: ‘I am able to laugh more than cry now, if that makes any sense’
• Victoria Monét talks motherhood, muses, and tuning into the ‘Frequency of Love’: ‘Hazel is really all the love I needed’
• Chris Robinson on how the Black Crowes ‘were always a counterculture band’: ‘We’re grateful to be still playing rock ‘n’ roll the way we want to do it, this far into the dystopian future’
• From ‘All or Nothing’ to ‘All of Me,’ Milli Vanilli to Madonna: Superstar songwriter Toby Gad discusses his biggest hits (and misses)
• Lyndsey Parker talks Madonna at the VMAs, Oasis reunion on ‘Breaking Down the Biz’ podcast
• How Marilyn Hucek lost her father, found her true voice… and ultimately found her way back to ‘The Voice’
• Confessions of a teen runaway, or how Nessa Barrett grew up, learned to love herself, and made her most vulnerable album yet: ‘My whole life, all forms of love were really tough and hard for me’
• Sin Bandera talk 25 years of making ‘birthing-situation’ music, being ‘the Simon & Garfunkel Latinos,’ opening a door for Latin R&B, and ‘confusing the algorithm’
• Marc Almond of Soft Cell interview for FLOOD magazine… plus outtakes!
• How ‘king of having fun’ Medium Build got his groove back, became his own role model, and made his best album yet: ‘It was like, if I don’t change, I’m going to die’