Recent Posts

• La Roux’s flame burns bright again: Electropop star on how early success made her ‘terrified all the f***ing time’ and why she’s finally feeling bulletproof after being ‘away accidentally for a good 10 years’
• Lyndsey Parker talks Aerosmith and My Chemical Romance Hollywood Bowl shows on ‘Breaking Down the Biz’ podcast
• Penelope Road have definitely, not maybe, arrived on time: ‘We really did what you need to do to understand what it means to be a band’
• Lyndsey Parker nominated for 12 National A&E Journalism Awards, including Journalist of the Year, Best Host, Best Podcast & Best Blog
• Ministry’s Al Jourgensen is the interview GOAT: The ‘Greta Garbo of industrial’ talks fainting-goat-farm retirement plans, farewell album, that Shasta jingle, and much more in epic Q&A
• How post-punk, Polish-language trio Chalk Teeth created their signature sound: “We know immediately if something feels ‘chalky’ or not”
• The new dawn of Johnny Orlando: ‘It’s taken me my entire life to get to this point. I’m prone to f***ing things up if I think too hard about it.’
• How Bleu made one of pop’s greatest — and funniest — albums about grief: ‘I am able to laugh more than cry now, if that makes any sense’
• Victoria Monét talks motherhood, muses, and tuning into the ‘Frequency of Love’: ‘Hazel is really all the love I needed’
• Chris Robinson on how the Black Crowes ‘were always a counterculture band’: ‘We’re grateful to be still playing rock ‘n’ roll the way we want to do it, this far into the dystopian future’