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	<title>Lyndsanity &#187; VMAs</title>
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	<description>crazy in love with all things pop</description>
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		<title>ICYMI: MTV Actually Gave Out Some Technical Awards at the VMAs</title>
		<link>https://www.lyndsanity.com/music/icymi-mtv-actually-gave-out-some-technical-awards-at-the-vmas/</link>
		<comments>https://www.lyndsanity.com/music/icymi-mtv-actually-gave-out-some-technical-awards-at-the-vmas/#comments</comments>
		<pubDate>Mon, 31 Aug 2015 04:43:25 +0000</pubDate>
		<dc:creator><![CDATA[Lyndsey Parker]]></dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Television]]></category>
		<category><![CDATA[VMAs]]></category>

		<guid isPermaLink="false">http://www.lyndsanity.com/?p=1343</guid>
		<description><![CDATA[The great irony of the MTV Video Music Awards (besides the obvious irony that MTV doesn’t actually play videos, or really any music, anymore) is the fact that the technical awards are not handed out during the on-air ceremony. Yes, Taylor Swift was sweet enough to bring her “Blank Space” director Joseph Kahn to the podium when accepting her [&#8230;]]]></description>
				<content:encoded><![CDATA[<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" style="color: #26282a;" data-type="text" data-reactid=".f3bmvj86xq.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.0:$1">The great irony of the <a style="color: #221ba1;" href="https://www.yahoo.com/music/tagged/mtv-video-music-awards">MTV Video Music Awards</a> (besides the obvious irony that MTV doesn’t actually <i>play</i> videos, or really any music, anymore) is the fact that the technical awards are not handed out during the on-air ceremony. Yes, Taylor Swift was sweet enough to bring her “<a style="color: #221ba1;" href="http://screen.yahoo.com/blank-space-170454459.html">Blank Space</a>” director Joseph Kahn to the podium when accepting her Best Female Video trophy at Sunday’s VMAs… but that was truly the only acknowledgment all night long that these music videos don’t just make themselves.</p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" style="color: #26282a;" data-type="text" data-reactid=".f3bmvj86xq.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.0:$2">For instance, did you know that the 2015 Best Direction Moonman went not to Kahn (who also lensed Swift’s “<a style="color: #221ba1;" href="http://screen.yahoo.com/bad-blood-015612430.html">Bad Blood</a>” video), but to directors Colin Tilley and the Little Homies for Kendrick Lamar’s “Alright”? Of course you didn’t. The Oscars can show four hours of categories like Best Sound Editing for a Short Animated Foreign Film, but MTV can’t even be bothered to put the Best Direction presentation on the air at the VMAs.</p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" style="color: #26282a;" data-type="text" data-reactid=".f3bmvj86xq.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.0:$3">Well, let’s right that wrong, shall we? Below are the directors, cinematographers, choreographers, editors, and effects artists who make today’s VMAs stars look good. And they were really the coolest winners at this year’s awards. Enjoy their work below.</p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" style="color: #26282a;" data-type="text" data-reactid=".f3bmvj86xq.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.0:$4"><span style="font-weight: bold;">BEST DIRECTION</span></p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" style="color: #26282a;" data-type="text" data-reactid=".f3bmvj86xq.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.0:$5"><span style="font-weight: bold;">Kendrick Lamar, “Alright” (Winner: Colin Tilley and the Little Homies)</span></p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" data-type="text" data-reactid=".f3bmvj86xq.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.0:$8">(Other Best Direction nominees: Hiro Murai for Childish Gambino’s “<a style="color: #221ba1;" href="http://screen.yahoo.com/sober-100504516.html">Sober</a>”; Brendan Canty and Conal Thomson for Hozier’s “<a style="color: #221ba1;" href="http://screen.yahoo.com/church-212601226.html">Take Me to Church</a>”; Bruno Mars and Cameron Duddy for Mark Ronson’s “<a style="color: #221ba1;" href="http://screen.yahoo.com/uptown-funk-154207314.html">Uptown Funk</a>”; Joseph Kahn for Taylor Swift’s “Bad Blood”)</p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" style="color: #26282a;" data-type="text" data-reactid=".f3bmvj86xq.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.0:$9"><span style="font-weight: bold;">BEST CHOREOGRAPHY</span></p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" style="color: #26282a;" data-type="text" data-reactid=".f3bmvj86xq.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.0:$10"><span style="font-weight: bold;">OK Go, “I Won’t Let You Down” (Winner: OK Go, air:man, and Mori Harano)</span></p>
<div class="iframe-wrapper Pos(r) My(20px) canvas-atom Mt(14px)--sm Mb(0)--sm" style="color: #26282a;" data-reactid=".f3bmvj86xq.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.0:$12"><iframe class="canvas-video-iframe Bdw(0) StretchedBox W(100%) H(100%)" src="https://www.youtube.com/embed/u1ZB_rGFyeU" width="386" height="193" data-type="videoIframe" data-reactid=".f3bmvj86xq.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.0:$12.0"></iframe></div>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" style="color: #26282a;" data-type="text" data-reactid=".f3bmvj86xq.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.0:$13">(Other Best Choreography  nominees: Beyoncé, Chris Grant, and Gabriel Valenciano for Beyoncé’s “7/11”; Ryan Heffington for Chet Faker’s “<a style="color: #221ba1;" href="http://screen.yahoo.com/gold-134617328.html">Gold</a>”; Keone Madrid and Mari Madrid for Flying Lotus’s “Never Catch Me”; Nappytabs for Ed Sheeran’s “<a style="color: #221ba1;" href="https://www.youtube.com/watch?v=iD2rhdFRehU" target="_blank" rel="nofollow noopener noreferrer">Don’t</a>”)</p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" style="color: #26282a;" data-type="text" data-reactid=".f3bmvj86xq.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.0:$14"><span style="font-weight: bold;">BEST VISUAL EFFECTS</span></p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" style="color: #26282a;" data-type="text" data-reactid=".f3bmvj86xq.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.0:$15"><span style="font-weight: bold;">Skrillex and Diplo feat. Justin Bieber, “Where Are Ü Now” (Winner: Brewer)</span></p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" data-type="text" data-reactid=".f3bmvj86xq.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.0:$18">(Other Best Visual Effects nominees: Gloria FX for Childish Gambino’s “<a style="color: #221ba1;" href="http://screen.yahoo.com/telegraph-ave-quot-oakland-quot-133709386.html">Telegraph Ave.</a>”; Gloria FX, Tomash Kuzmytskyi, and Max Chyzhevskyy for FKA Twigs’ “<a style="color: #221ba1;" href="https://www.youtube.com/watch?v=3yDP9MKVhZc" target="_blank" rel="nofollow noopener noreferrer">Two Weeks</a>”; Ingenuity Studios for Taylor Swift’s “Bad Blood”; Gloria FX for Tyler, The Creator’s “<a style="color: #221ba1;" href="https://www.youtube.com/watch?v=SCcVrLcGD7k" target="_blank" rel="nofollow noopener noreferrer">F—ing Young</a>/<a style="color: #221ba1;" href="https://www.youtube.com/watch?v=rrgoO1mncgU" target="_blank" rel="nofollow noopener noreferrer">Death Camp</a>”)</p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" data-type="text" data-reactid=".f3bmvj86xq.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.0:$18"><iframe src="https://www.youtube.com/embed/nntGTK2Fhb0" width="441" height="248" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" data-type="text" data-reactid=".f3bmvj86xq.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.0:$19"><span style="font-weight: bold;">BEST ART DIRECTION</span></p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" data-type="text" data-reactid=".f3bmvj86xq.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.0:$20"><span style="font-weight: bold;">Snoop Dogg, “So Many Pros” (Winner: Jason Fijal)</span></p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" style="color: #26282a;" data-type="text" data-reactid=".f3bmvj86xq.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.0:$23">(Other Best Art Direction nominees: Michel Gondry for the Chemical Brothers’ “<a style="color: #221ba1;" href="http://screen.yahoo.com/go-104554135.html">Go</a>”; Brewer for Skrillex and Diplo feat. Justin Bieber’s “Where Are Ü Now”; Charles Infante for Taylor Swift’s “Bad Blood”; Jeff Peterson for Jack White’s “<a style="color: #221ba1;" href="http://screen.yahoo.com/fight-love-222639189.html">Would You Fight for My Love?</a>”)</p>
<p><strong>BEST EDITING</strong></p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" style="color: #26282a;" data-type="text" data-reactid=".f3bmvj86xq.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.0:$25"><span style="font-weight: bold;">Beyoncé, “7/11” (Winner: Beyoncé, Ed Burke, and Jonathan Wing)</span></p>
<p>(Other Best Editing nominees: Dexter Navy for A$AP Rocky’s “<a style="color: #221ba1;" href="http://screen.yahoo.com/l-d-202522829.html">L$D</a>”; Jacquelyn London for Ed Sheeran’s “Don’t”; Brewer for Skrillex and Diplo feat. Justin Bieber’s “Where Are Ü Now”; Chancler Haynes at Cosmo Street for Taylor Swift’s “Bad Blood”)</p>
<p><iframe src="https://www.youtube.com/embed/k4YRWT_Aldo" width="439" height="247" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p style="text-align: left;"><strong>BEST CINEMATOGRAPHY</strong></p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" data-type="text" data-reactid=".f3bmvj86xq.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.0:$30"><span style="font-weight: bold;">Flying Lotus feat. Kendrick Lamar, “Never Catch Me” (Winner: Larkin Sieple)</span></p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" data-type="text" data-reactid=".f3bmvj86xq.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.0:$30"><span style="color: #26282a;">(Other “Best Cinematography nominees: Mike Simpson for alt-j’s ”</span><a style="color: #221ba1;" href="http://screen.yahoo.com/left-hand-free-official-video-200023939.html">Left Hand Free</a><span style="color: #26282a;">“; Justin Brown for FKA Twigs’ “Two Weeks”; Daniel Pearl for Ed Sheeran’s “</span><a style="color: #221ba1;" href="http://music.yahoo.com/video/thinking-loud-051329909.html">Thinking Out Loud</a><span style="color: #26282a;">”; Christopher Probst for Taylor Swift’s “Bad Blood”)</span></p>
<p>&nbsp;</p>
<p><strong>Follow Lyndsey on <a href="http://twitter.com/lyndseyparker" target="_blank">Twitter</a>, <a href="http://instagram.com/lyndseyparker" target="_blank">Instagram</a>, <a href="https://www.facebook.com/lyndsanity/" target="_blank">Facebook</a>, <a href="https://plus.google.com/+LyndseyParker/" target="_blank">Google+</a>, <a href="http://www.amazon.com/Careless-Memories-Strange-Behavior-ebook/dp/B008A8NXGM/ref=sr_1_1?ie=UTF8&amp;qid=1350598831&amp;sr=8-1&amp;keywords=lyndsey+parker" target="_blank">Amazon</a>, <a href="http://lyndseyparker.tumblr.com/" target="_blank">Tumblr</a>, <a href="https://vine.co/u/1055330911744348160" target="_blank">Vine</a>, <a href="http://http//open.spotify.com/user/lyndseyparker" target="_blank">Spotify</a></strong></p>
<p><strong><em>This article originally ran on <a href="https://www.yahoo.com/music/?ref=gs" target="_blank">Yahoo Music</a>. </em></strong></p>
]]></content:encoded>
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		</item>
		<item>
		<title>Watch Every VMA Video of the Year Winner Ever!</title>
		<link>https://www.lyndsanity.com/music/watch-every-vma-video-of-the-year-winner-ever/</link>
		<comments>https://www.lyndsanity.com/music/watch-every-vma-video-of-the-year-winner-ever/#comments</comments>
		<pubDate>Fri, 28 Aug 2015 05:29:43 +0000</pubDate>
		<dc:creator><![CDATA[Lyndsey Parker]]></dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[VMAs]]></category>

		<guid isPermaLink="false">http://www.lyndsanity.com/?p=1382</guid>
		<description><![CDATA[Sadly, between Madonna’s floor-rolling, Kanye’s speech-interrupting, Gaga’s meat-dressing, Beyoncé’s baby-bumping, and Miley’s foam-fingering, the artists who actuallywin Moonmen at the MTV Video Music Awards are usually quickly forgotten. This year’s Video of the Year VMA nominees are Beyoncé’s “7/11,” Kendrick Lamar’s “Alright,” Mark Ronson’s “Uptown Funk,” Ed Sheeran’s “Thinking Out Loud,” and Taylor Swift’s “Bad Blood.” We will [&#8230;]]]></description>
				<content:encoded><![CDATA[<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" style="color: #26282a;" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.0:$0">Sadly, between Madonna’s floor-rolling, Kanye’s speech-interrupting, Gaga’s meat-dressing, Beyoncé’s baby-bumping, and Miley’s foam-fingering, the artists who actually<i>win</i> Moonmen at the <a style="color: #221ba1;" href="https://www.yahoo.com/music/tagged/mtv-video-music-awards">MTV Video Music Awards</a> are usually quickly forgotten. This year’s Video of the Year VMA nominees are Beyoncé’s “7/11,” Kendrick Lamar’s “Alright,” Mark Ronson’s “Uptown Funk,” Ed Sheeran’s “Thinking Out Loud,” and Taylor Swift’s “Bad Blood.” We will probably forget all about them halfway through Kanye West’s Video Vanguard Award acceptance speech, or right around the time that 2015 VMAs host Miley Cyrus makes her third costume change.</p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" style="color: #26282a;" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.0:$1">Come on, does anyone even <i>remember</i> that Missy Elliott’s “Work It” was named Video of the Year in 2003, the year that Madonna swapped spit with Britney? Or that Justin Timberlake’s “Mirrors” picked up top honors in 2013, the year of Miley and Robin Thicke’s Twerkgate scandal? Well, we’re here to remind you. These videos deserve your respect. They should not be tossed into the trash bin of pop history like one of Lil’ Kim’s discarded purple pasties.</p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" style="color: #26282a;" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.0:$2">So before the VMAs crown the 2015 winner, let’s reflect with a visual history of the category. Don’t interrupt, let us finish, and watch all of the BEST VIDEOS OF ALL TIME.<i>Of all time!</i></p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" style="color: #26282a;" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.0:$3"><span style="font-weight: bold;">1984: The Cars, “You Might Think&#8221;  </span></p>
<div class="iframe-wrapper Pos(r) My(20px) canvas-atom Mt(14px)--sm Mb(0)--sm" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.0:$5"><iframe class="canvas-video-iframe Bdw(0) StretchedBox W(100%) H(100%)" src="https://www.youtube.com/embed/3dOx510kyOs" width="450" height="225" data-type="videoIframe" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.0:$5.0"></iframe></div>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.0:$6">You might think (<i>heh</i>) that it looks like a Flying Toasters screensaver now, but 36 years ago, this video was pretty darn cutting-edge. “You Might Think” was actually one of the first videos to use computer graphics, and it cost $80,000, which was about three times the average music video budget back in ‘84. Believe it or not, “You Might Think” beat out an even more expensive classic video, Michael Jackson’s “Thriller,” for this inaugural honor.</p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.0:$7"><span style="font-weight: bold;">1985: Don Henley, “The Boys of Summer&#8221;    </span></p>
<div class="iframe-wrapper Pos(r) My(20px) canvas-atom Mt(14px)--sm Mb(0)--sm" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.0:$9"><iframe class="canvas-video-iframe Bdw(0) StretchedBox W(100%) H(100%)" src="https://www.youtube.com/embed/qh4nVj8g4hg" width="440" height="220" data-type="videoIframe" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.0:$9.0"></iframe></div>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.0:$10">David Lee Roth apparently canceled himself out with his two nominees for &#8220;California Girls” and “Just a Gigolo/I Ain’t Got Nobody,” thus clearing the way for the solo Eagle’s much more somber Jean-Baptiste Mondino mini-movie. Technically, “The Boys of Summer” beat out pretty much <i>every</i> star in American pop music, since it was also up against USA for Africa’s all-star charity video, “We Are the World.”</p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.0:$11"><span style="font-weight: bold;">1986: Dire Straits, “Money for Nothing”</span></p>
<div class="iframe-wrapper Pos(r) My(20px) canvas-atom Mt(14px)--sm Mb(0)--sm" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.0:$13"><iframe class="canvas-video-iframe Bdw(0) StretchedBox W(100%) H(100%)" src="https://www.youtube.com/embed/lAD6Obi7Cag" width="436" height="218" data-type="videoIframe" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.0:$13.0"></iframe></div>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.0:$14">Incredibly, director Steve Barron had to compete against himself in the Video of the Year category, as another video he directed (and another one of the 1980s’ most celebrated videos), A-ha’s “Take on Me,” was also nominated. In any other year, <a style="color: #221ba1;" href="https://www.yahoo.com/music/your-burning-2015-vmas-questions-c1244187427160118/photo-what-video-won-the-most-1440713321763.html">A-ha, who had to settle for the Viewer’s Choice Award</a>, would have been a shoo-in — but 1986 was a very, very good year for music video. Godley &amp; Creme’s groundbreaking morphing-technology clip “Cry” and Robert Palmer’s iconic supermodel romp “Addicted to Love” were also 1986 Video of the Year nominees.</p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.0:$15"><span style="font-weight: bold;">1987: Peter Gabriel, “Sledgehammer&#8221;   </span></p>
<div class="iframe-wrapper Pos(r) My(20px) canvas-atom Mt(14px)--sm Mb(0)--sm" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.0:$17"><iframe class="canvas-video-iframe Bdw(0) StretchedBox W(100%) H(100%)" src="https://www.youtube.com/embed/OJWJE0x7T4Q" width="432" height="216" data-type="videoIframe" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.0:$17.0"></iframe></div>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.0:$18">This stop-motion masterpiece still holds two illustrious MTV records: the most VMAs wins in a single night (nine), and the most plays in the history of the cable channel. Remember when MTV <i>played</i> music videos?</p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.0:$19"><span style="font-weight: bold;">1988: INXS, &#8220;Need You Tonight/Mediate&#8221;  </span></p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.0:$19"><span style="color: #26282a;">The second half of the Aussie rockers’ breakthrough video, &#8220;Mediate,” was an obvious homage to Bob Dylan’s “Subterranean Homesick Blues.” But the first half was thoroughly modern (for 1988, that is), with visual effects created by cutting up 35mm film, photocopying the individual frames, and layering those images over the original footage. How INXS-ive! </span></p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.0:$19"><span style="font-weight: bold;"> <span style="color: #26282a;">1989: Neil Young, “This Note’s for You”</span><span style="color: #26282a;"> </span></span></p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" style="color: #26282a;" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.0:$25">This win was a massive upset, since “This Note’s for You” was basically one giant F-U to M-T-V. The satirical video blasted corporate advertising — even parodying Michael Jackson’s fiery Pepsi commercial accident, which caused it to be temporarily banned from MTV. Ironically, it ended up winning the Video of the Year award over Jackson’s own “Leave Me Alone” (and Madonna’s infamous Pepsi campaign song, “Like a Prayer”). Also ironically, “This Note’s for You” later lost the Best Concept Video Grammy to “Weird Al” Yankovic’s “Fat” — another Michael Jackson spoof.</p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" style="color: #26282a;" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.0:$26"><strong>1990: Sinéad O&#8217;Connor, “Nothing Compares 2 U” </strong></p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.0:$29">Sometimes, less is more. While other nominees this year — including the David Fincher-directed “Janie’s Got a Gun” for Aerosmith and “Vogue” by Madonna — were grandiose affairs, O&#8217;Connor (who was the first female artist to win this award) captivated the MTV generation with her teary-but-unflinching camera stare-down, bare head, and one-take performance. O&#8217;Connor later revealed that her tears were real; she was thinking of her deceased mother when she lip-synched the line, “All the flowers that you planted, mama/All died when you went away.” After her recent open-letter feud with Miley, we’re guessing Sinéad won’t be watching this year’s VMAs.</p>
<div data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.1"><strong>1991: R.E.M., “Losing My Religion” </strong></div>
<div data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.1"><strong>  </strong></div>
<div data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.1">This was first video in which notoriously camera-shy frontman Michael Stipe agreed to lip-sync. Apparently, this was a good decision: “Losing My Religion” was nominated for nine VMAs and won six. The young filmmaker who directed this, Tarsem Singh, went on to lens movies like Jennifer Lopez’s thriller <i>The Cell</i> as well as big-budget TV commercials for (wait for it) Pepsi. What would Neil Young think?</div>
<div data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.1">
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" style="color: #26282a;" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$34"><span style="font-weight: bold;">1992: Van Halen, “Right Now&#8221;    </span></p>
<div class="iframe-wrapper Pos(r) My(20px) canvas-atom Mt(14px)--sm Mb(0)--sm" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$36"><iframe class="canvas-video-iframe Bdw(0) StretchedBox W(100%) H(100%)" src="https://www.youtube.com/embed/YCcLNmOpN3A" width="420" height="210" data-type="videoIframe" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$36.0"></iframe></div>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$37">Diamond Dave-era videos like &#8220;Hot for Teacher” and “Panama” were classics, but incredibly, it wasn’t until the Van Hagar years that this band won a Video of the Year VMA. Sammy Hagar didn’t like the “Right Now” video at the time, probably because he wasn’t actually in it, complaining: “People ain’t even going to be listening to what I’m saying because they’ll be reading these subtitles.” (Rock fans <i>hate</i> reading, right?) Anyway, “Right Now” turned out to be the biggest video of Van Halen’s career. It even beat out Nirvana’s “Smells Like Teen Spirit” for top VMA honors.</p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$38"><span style="font-weight: bold;">1993: Pearl Jam, “Jeremy”</span></p>
</div>
<div class="Ov(h) Trs($transition-readmore) Mah(999999px)" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2">
<p>When Epic Records initially rejected “Jeremy” as a potential single off Pearl Jam’s debut album <i>Ten</i>, Eddie Vedder and company took matters into their own hands and had Vedder’s friend, photographer Chris Cuffaro, do his own version, which Cuffaro financed himself. Unfortunately for Cuffaro, that’s <i>not</i> the “Jeremy” video that won four Moonmen at the ‘93 VMAs. Instead it was this later one, depicting a bullied child who eventually commits suicide, that got all the glory. While it wasn’t exactly a feelgood video, “Jeremy” truly connected with the disenfranchised Generation X of the &#8217;90s. But the <a style="color: #221ba1;" href="https://www.youtube.com/watch?v=Pf-9qsWvFxQ" target="_blank" rel="nofollow noopener noreferrer">Cuffaro’s simpler version exists on YouTube</a>, if you care to see what might have been.</p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" style="color: #26282a;" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$42"><span style="font-weight: bold;">1994: Aerosmith, “Cryin’”</span></p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" style="color: #26282a;" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$45">This video did even more for Alicia Silverstone’s career than it did for Aerosmith’s. After director Marty Callner spotted Silverstone in <i>The Crush</i> and cast her in a trilogy of &#8216;Smith vids — this one, “Amazing,” and “Crazy” — Silverstone caught the attention of<i>Clueless</i> director Amy Heckerling. And the rest was history. (Side note: Much like the late, great Nathaniel Hornblower, we still think the Beastie Boys’ “Sabotage” totally got robbed this year.)</p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" style="color: #26282a;" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$46"><span style="font-weight: bold;">1995: TLC, “Waterfalls”</span></p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$49">1995 was another good year for music video: Michael and Janet Jackson’s astounding, Mark Romanek-directed “Scream” and Weezer’s <i>Happy Days</i> homage “Buddy Holly” by Spike Jonze were also nominated that year. The director of this video, which won four VMAs, did all right for himself: F. Gary Gray’s most recent work was the box office smash <i>Straight Outta Compton</i>.</p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$50"><span style="font-weight: bold;">1996: Smashing Pumpkins, “Tonight, Tonight”</span></p>
<div class="iframe-wrapper Pos(r) My(20px) canvas-atom Mt(14px)--sm Mb(0)--sm" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$52"><iframe class="canvas-video-iframe Bdw(0) StretchedBox W(100%) H(100%)" src="https://www.youtube.com/embed/NOG3eus4ZSo" width="410" height="205" data-type="videoIframe" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$52.0"></iframe></div>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$53"><i>Titanic</i> almost caused this video to sink: “Tonight, Tonight” directors Jonathan Dayton and Valerie Faris had trouble finding period costumes in the L.A. area for this production (which was inspired by an entirely different movie, Georges Méliès’s <i>A Trip to the Moon</i>), because<i> Titanic</i> director James Cameron had rented them all. Thankfully, Dayton and Faris were able to find and/or doctor enough costumes to make it work, as Tim Gunn might say… and eventually at the VMAs, “Tonight, Tonight” was <i>king of the world</i>! Incidentally, Dayton and Faris got their own Oscar glory a decade later, with their film<i> Little Miss Sunshine</i>.</p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$54"><span style="font-weight: bold;">1997: Jamiroquai, “Virtual Insanity&#8221;       </span></p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" style="color: #26282a;" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$57">It may look like singer Jay Kay is boogie-ing on a giant conveyor belt in this video, which scored 10 VMA nominations and four wins, but it was all a very clever illusion created by director Jonathan Glazer utilizing moving walls. Jamiroquai recreated the dizzying effect with an actual moving floor for their <a style="color: #221ba1;" href="https://www.youtube.com/watch?v=vWNH8GwcyAQ" target="_blank" rel="nofollow noopener noreferrer">insanely cool performance at the 1997 VMAs</a>.</p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" style="color: #26282a;" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$58"><span style="font-weight: bold;">1998: Madonna, &#8220;Ray of Light”</span></p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$61">Madonna holds the record with the most VMA wins (21), and five of those Moonmen are for this warp-speed clip lensed by Jonas Akerlund. Akerlund went on to direct six other videos for Madge: “Music,” “American Life,” “Jump,” “Celebration,” “Ghosttown,” and “Bitch I’m Madonna.” Akerlund is also the guy who brought us another “Bitch” video: the Prodigy’s “Smack My Bitch Up,” which came out on Madonna’s Maverick Records label.</p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$62"><span style="font-weight: bold;">1999: Lauryn Hill, “Doo Wop (That Thing)”</span></p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" style="color: #26282a;" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$65">1999 was a good year for Ms. Hill: Along with her four VMA wins, she also won five Grammys (including Album of the Year and Best New Artist). She never replicated that success, but she returned to the MTV airwaves three years later with her polarizing and unhinged <i>MTV Unplugged</i> special. That won no awards.</p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" style="color: #26282a;" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$66"><span style="font-weight: bold;">2000: Eminem, “The Real Slim Shady&#8221;   </span></p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$69">While &#8220;The Real Slim Shady,” which was co-directed by Eminem’s mentor Dr. Dre, wasn’t banned from MTV like “This Note’s for You” was, it probably wasn’t a favorite among many MTV regulars — including <i>Total Request Live</i> host Carson Daly, one of many public figures lampooned in the video and song. Tommy Lee, Will Smith, Britney Spears, Christina Aguilera, Fred Durst, and *NSYNC were all targets of Shady’s scorn as well.</p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$70"><span style="font-weight: bold;">2001: Christina Aguilera, Lil’ Kim, Mýa &amp; Pink (feat. Missy Elliott)    </span></p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" style="color: #26282a;" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$73">VMA viewers could have been forgiven for mistaking this clip for a Twister Sister video, thanks to Christina’s Dee Snider-like frightwig of blonde corkscrew curls. Xtina rocked the totally twisted look at various awards shows that year, including the Blockbuster Awards and MTV Movie Awards, despite many dismayed fashion critics’ cries of “We’re not gonna take it!”</p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" style="color: #26282a;" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$74"><span style="font-weight: bold;">2002: Eminem, “Without Me”</span></p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$77">Shady continued to piss off his peers two years after his first VMA victory, sparring at the awards with techno star Moby (“I will <i>hit</i> a man with glasses,” he said in one classy acceptance speech) and foul-mouthed <i>Conan</i> puppet Triumph the Insult Comic Dog. An award for me to poop on, indeed.</p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$78"><span style="font-weight: bold;">2003: Missy Elliott, “Work It&#8221;</span></p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" style="color: #26282a;" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$82">Madonna and Britney stole poor Missy’s thunder, but this Dave Meyers-directed epic featuring cameos by Timbaland, Eve, Mr. Wiggles from the Rock Steady Crew, and a bunch of live bumblebees deserves its due. Fun fact: According to an MTV interview with Meyers, Missy got totally drunk on the set, when he forgot to replace the wine in her glass with water during multiple takes of the restaurant scene.</p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" style="color: #26282a;" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$83"><span style="font-weight: bold;">2004: Outkast, &#8220;Hey Ya!”     </span></p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" style="color: #26282a;" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$86">MTV decided that this <i>Ed Sullivan</i> spoof starring eight Andre 3000s was definitely cooler than being cool: It won four VMAs in 2003. Director Bryan Barber told MTV that playing the multiple roles of the Love Below band members Benjamin Andre (keys), Possum Jenkins (bass), vocalist Ice Cold 3000 (vocals), Dookie Blasingame (drums), and Johnny Vulture (guitar) really wore Andre out during the 23 takes it took to get this video right. But clearly it was all worth it.</p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" style="color: #26282a;" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$87"><span style="font-weight: bold;">2005: Green Day, “Boulevard of Broken Dreams&#8221;     </span></p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$95">“What a beautiful wedding,” indeed. This circus-themed ceremony, starring the Lucent Dossier Vaudeville Cirque, was a great start to Panic!’s MTV career; it was, incredibly, the first video the band ever made. Even more incredibly, band members Brendon Urie and Ryan Ross had the flu while making it.</p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$96"><span style="font-weight: bold;">2007: Rihanna, &#8220;Umbrella”</span></p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" style="color: #26282a;" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$99">This song was originally penned with another MTV darling, Britney Spears, in mind. Well, Brit Brit’s loss was definitely RiRi’s gain, as this became the Barbados singer’s big breakthrough hit and a quintuple VMA nominee. However, we do think Britney totally could have rocked the silver bodypaint, custom-mixed by makeup guru Pamela Neal, that Rihanna wore in this memorable shoot.</p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" style="color: #26282a;" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$100"><span style="font-weight: bold;">2008: Britney Spears, “Piece of Me”</span></p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" style="color: #26282a;" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$103">2007 was a very bad year for Britney at the VMAs. Following her public meltdown that included a bizarre head-shaving incident and an umbrella attack, she was somehow forced by handlers, who clearly didn’t have her best interests at heart, back onto the VMAs stage — even though it was obvious that she was not ready for prime time. Her show-opening “Gimme More” performance was a critically panned, potentially career-killing disaster. The brass at MTV got their watercooler moment, but they must have felt<i>some</i> guilt over the whole thing, because the following year, they invited Britney back and lavished her with three Moonmen for “Piece of Me,” arguably one of the <i>worst</i>videos of her career.</p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" style="color: #26282a;" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$104"><span style="font-weight: bold;">2009: Beyoncé, “Single Ladies (Put a Ring on It)&#8221; </span></p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$107">This was the crazy year when Kanye West, angered that Taylor Swift’s &#8220;You Belong With Me” had won for Best Female Video over “Single Ladies,” bumrushed Taylor’s speech. But people forget that Bey actually took home the top honor that year — beating out Kanye’s own “Love Lockdown” in the process.</p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$108"><span style="font-weight: bold;">2010: Lady Gaga, “Bad Romance”     </span></p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$111">The basic plot of this bathhouse tour de force, directed by Francis Lawrence of<i> Hunger Games</i> fame, was Gaga — in a faux polar bear-fur jacket, razorblade sunglasses, and 12-inch Alexander McQueen platform shoes — getting kidnapped by a gang of supermodels who drug her and sell her to the Russian mafia. Typical Gaga, then. She’s made 25 dazzling music videos during her career, but “Bad Romance” is still the one by which all of Gaga’s other videos must be judged.</p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$112"><span style="font-weight: bold;">2011: Katy Perry, “Firework&#8221;    </span></p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" style="color: #26282a;" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$115">Katy isn’t all about whipped-cream bras, teenage dreams, and blue wigs, you know. She has a serious side, too. This heartstring-plucking video, dedicated to the It Gets Better Project, was also a nominee for Best Video With a Message, a new category introduced in 2011, along with Eminem’s &#8220;Love the Way You Lie,” Pink’s “Perfect, &#8220;Rise Against’s &#8220;Make It Stop,” and Taylor Swift’s “Mean.” However, “Firework” ultimately lost out in that race to Lady Gaga’s “Born This Way.”</p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$116"><span style="font-weight: bold;">2012: Rihanna feat. Calvin Harris, “We Found Love”      </span></p>
<p>This is possibly the best illustration of the old “art imitating life” cliché in VMAs history. When the video was released in October 2011, the similarities to Rihanna’s real-life drama with on/off boyfriend Chris Brown were impossible not to notice. Her co-star, Brown lookalike Dudley O&#8217;Shaughnessy, bleached his hair blond for the shoot, and he and RiRi even reenacted a portion of police report account of her 2009 car fight with Brown. Yet despite all of its sensationalism and exploitation of their personal lives, “We Found Love” humanized Rihanna and Brown, in a way. It remains one the VMAs’ finest champs.</p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" style="color: #26282a;" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$121"><span style="font-weight: bold;">2013: Justin Timberlake, “Mirrors”</span></p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$124">Who doesn’t love this eight-minute epic celebrating the decades-spanning love story of JT’s beloved maternal grandparents, William and Sadie Bomar? The Floria Sigismondi-directed, extremely haunting clip warrants multiple viewings, preferably with a box of extra-ply tissues at the ready. The real-life William died in December 2012 after a long battle with heart trouble and dementia; one scene in the “Mirrors” video, when the fictional Sadie’s wedding ring falls off and her grandson deftly catches it, hints at Justin’s intention to carry on the Bomars’ legacy and enjoy a union with his own bride, Jessica Biel, that’s as successful as the one his grandparents shared for 63 years. <i>Sob</i>.</p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$125"><span style="font-weight: bold;">2014: Miley Cyrus, “Wrecking Ball&#8221; </span></p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$125"><span style="color: #26282a;">We think the 2015 VMAs host’s pool-party twerkfest &#8220;We Can’t Stop” was the real jam, but MTV honored this hammer-licking tighty-whiteys spectacle instead. (By the way, this is the video that spurred Miley’s above-mentioned online feud with Sinéad O&#8217;Connor.) Anyway, Miley, who’d caused such a fuss twerking up on Robin Thicke at the previous year’s VMAs, attempted to clean up her act and make a social statement by dispatching a homeless youth, Jesse Helt, to accept the award on her behalf. But she still couldn’t avoid controversy, when it was later revealed that Helt had a criminal past; his TV appearance prompted police to send out a warrant for his arrest for probation violation, and he was eventually sentenced to six months in jail.</span></p>
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<p><strong><em>This article originally ran on <a href="https://www.yahoo.com/music/?ref=gs" target="_blank">Yahoo Music</a>. </em></strong></p>
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		<title>We Got Your Crazy: Wackiest VMA Moments of the Past Three Decades</title>
		<link>https://www.lyndsanity.com/music/we-got-your-crazy-wackiest-vma-moments-of-the-past-three-decades/</link>
		<comments>https://www.lyndsanity.com/music/we-got-your-crazy-wackiest-vma-moments-of-the-past-three-decades/#comments</comments>
		<pubDate>Thu, 27 Aug 2015 05:20:29 +0000</pubDate>
		<dc:creator><![CDATA[Lyndsey Parker]]></dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Television]]></category>
		<category><![CDATA[VMAs]]></category>

		<guid isPermaLink="false">http://www.lyndsanity.com/?p=1366</guid>
		<description><![CDATA[Let&#8217;s be real: When it comes to the MTV Video Music Awards, it&#8217;s never about who wins or loses. Everyone has long forgotten that the Cars&#8217; &#8220;You Might Think&#8221; took top honors at the first VMAs ceremony 31 years ago, but no one will ever forget Madonna&#8217;s career-making performance that opened that famous telecast. What [&#8230;]]]></description>
				<content:encoded><![CDATA[<p>Let&#8217;s be real: When it comes to the MTV Video Music Awards, it&#8217;s never about who wins or loses. Everyone has long forgotten that the Cars&#8217; &#8220;You Might Think&#8221; took top honors at the first VMAs ceremony 31 years ago, but</p>
<p>no one will ever forget Madonna&#8217;s career-making performance that opened that famous telecast. What are the craziest incidents in VMA history? Review them here and decide for yourself.</p>

<a href='https://www.lyndsanity.com/music/we-got-your-crazy-wackiest-vma-moments-of-the-past-three-decades/attachment/vmas1/'><img width="150" height="150" src="https://www.lyndsanity.com/wp-content/uploads/2016/06/vmas1-150x150.jpg" class="attachment-thumbnail" alt="Madonna&#039;s Opening Number: A Video Star Is Born (1984) -  Older generations vividly recall the exact moment when they first saw Elvis twitch his pelvis on TV or when the Beatles first performed on Ed Sullivan. But for children of the &#039;80s, one of the most defining televised music moments was when Madonna kicked off the inaugural VMAs. And it wasn&#039;t even planned. &quot;I lost [my shoe] and I thought, &#039;Oh my God, how am I going to get that? It&#039;s over there and I&#039;m on TV.&#039; So I thought, &#039;Well, I&#039;ll pretend I meant to do this,&#039; and I dove onto the floor. And I rolled around and I reached for the shoe, and as I reached for the shoe, the dress went up, and then the underpants were showing. And I didn&#039;t mean to,&quot; Madonna told Jay Leno years later. And thus, VMAs history was made." /></a>
<a href='https://www.lyndsanity.com/music/we-got-your-crazy-wackiest-vma-moments-of-the-past-three-decades/attachment/vmas2/'><img width="150" height="150" src="https://www.lyndsanity.com/wp-content/uploads/2016/06/vmas2-150x150.jpg" class="attachment-thumbnail" alt="Stern Howard Fartman VMA Moment #8: Introducing ... Fartman! (1992) - One might say that Howard Stern is the original &quot;Borat.&quot; His alter-ego Fartman descended upon the stunned crowd in all his flatulent glory wearing a cheek-baring, &quot;aesthetically enhanced&quot; leotard. Jeff Kravitz/FilmMagic.com - September 9, 2010" /></a>
<a href='https://www.lyndsanity.com/music/we-got-your-crazy-wackiest-vma-moments-of-the-past-three-decades/attachment/vmas3/'><img width="150" height="150" src="https://www.lyndsanity.com/wp-content/uploads/2016/06/vmas3-150x150.jpg" class="attachment-thumbnail" alt="The Beasties Sabotage R.E.M.&#039;s Speech (1994) - The Beastie Boys&#039; &quot;Sabotage,&quot; one of the most iconic music videos ever, ridiculously lost out in all categories in 1994. This shutout so angered Beastie Adam Yauch&#039;s lederhosened alter ego, Nathaniel Hornblower, that Nathaniel famously bumrushed the stage during Michael Stipe&#039;s typically P.C. speech, yodeling, &quot;This is an outrage! This is a farce!&quot; (over the injustice that &quot;Sabotage&quot; mastermind Spike Jonze had lost the Best Direction award to R.E.M.&#039;s &quot;Everybody Hurts&quot;). Stipe just looked confused. But we think it was the VMA judges who were most confused. Spike really should have won. And Adam &quot;MCA&quot; Yauch, who died in 2012, really deserves a posthumous Video Vanguard Award." /></a>
<a href='https://www.lyndsanity.com/music/we-got-your-crazy-wackiest-vma-moments-of-the-past-three-decades/attachment/vmas4/'><img width="150" height="150" src="https://www.lyndsanity.com/wp-content/uploads/2016/06/vmas4-150x150.jpg" class="attachment-thumbnail" alt="Courtney Love Doesn&#039;t Let Madonna &amp; Kurt Loder Finish (1995) -The most exciting moment of the &#039;95 VMAs actually took place offstage, once the show was over, when loose-cannon rock widow Courtney Love hijacked VJ Kurt Loder&#039;s perfectly civilized interview with elder stateswoman Madonna. (Courtney got Loder&#039;s attention by tossing her powder compact into the press pit.) A lesser pop star may have been intimidated by Courtney&#039;s crazy antics. But Courtney was no match for Madge, who in a refreshing change of pace came across as classy and totally non-controversial, smiling benignly while Courtney struggled to remain upright and babbled about Michael Stipe and Birkenstocks. This was live television at its finest." /></a>
<a href='https://www.lyndsanity.com/music/we-got-your-crazy-wackiest-vma-moments-of-the-past-three-decades/attachment/vmas5/'><img width="150" height="150" src="https://www.lyndsanity.com/wp-content/uploads/2016/06/vmas5-150x150.jpg" class="attachment-thumbnail" alt="Ain&#039;t Talkin&#039; &#039;Bout Love: Van Halen&#039;s Botched Reunion Attempt (1996) - The reunion between Van Halen and off-on original frontman David Lee Roth on the VMAs stage — their first appearance together in 10 years — was so exciting. For about 47 seconds. Because that&#039;s about how long this particular VH reunion lasted. Eddie Van Halen&#039;s icy body language at the VMAs made it clear that he still loathed Diamond Dave; at times he was standing so far away from Roth, he may as well have been on a different show on another network. And Dave&#039;s constant goofy quips about Eddie&#039;s hip surgery didn&#039;t help matters. Rumor has it they nearly got in a fistfight backstage." /></a>
<a href='https://www.lyndsanity.com/music/we-got-your-crazy-wackiest-vma-moments-of-the-past-three-decades/attachment/vmas6/'><img width="150" height="150" src="https://www.lyndsanity.com/wp-content/uploads/2016/06/vmas6-150x150.jpg" class="attachment-thumbnail" alt="Fiona Is One Sour Apple (1997) - When waify songstress Fiona Apple was only 20 years old, she was presented with a Best New Artist Moonman by none other than Elton John, beating out frontrunners like Hanson, the Wallflowers, and Jamiroquai, the latter of whom won a ton of VMAs for &quot;Virtual Insanity&quot; that year. This was every young artist&#039;s dream. But not for Fiona. Instead she took her time at the podium to denounce the entire awards show. &quot;Everybody out there who is watching this world, this world is bulls---,&quot; she ranted, adding a Maya Angelou quote just to keep things classy. Where was Kanye in &#039;97, to interrupt this?" /></a>
<a href='https://www.lyndsanity.com/music/we-got-your-crazy-wackiest-vma-moments-of-the-past-three-decades/attachment/vmas7/'><img width="150" height="150" src="https://www.lyndsanity.com/wp-content/uploads/2016/06/vmas7-150x150.jpg" class="attachment-thumbnail" alt="Diana Ross Gives Lil&#039; Kim a Hand (1999) - When Motown legend Diana met queen bee Kim (when they presented an award together with Mary J. Blige), a simple handshake just wouldn&#039;t do. Dirty Diana instead took a very hands-on approach, and enthusiastically jiggled Kim&#039;s purple-pastie&#039;d left bosom onstage. Talk about a boob-tube moment!" /></a>
<a href='https://www.lyndsanity.com/music/we-got-your-crazy-wackiest-vma-moments-of-the-past-three-decades/attachment/vmas8/'><img width="150" height="150" src="https://www.lyndsanity.com/wp-content/uploads/2016/06/vmas8-150x150.jpg" class="attachment-thumbnail" alt="Rage Against the Machine&#039;s Bassist Rages Against... Something, We&#039;re Just Not Sure What (2000) - Rage Against the Machine were known for their organized protests, but there was nothing organized about the 2000 VMAs, when RATM bass-slinger Tim Commerford (who was calling himself &quot;Tim2K&quot; at the time, in honor of the new millennium) climbed on top of some stage scaffolding during the broadcast and refused to come down. No one was really quite sure what he was protesting, either — although we&#039;re going to guess it was the fact that Limp Bizkit had just won an award. Regardless, it was later revealed that rabble-rousing documentary director Michael Moore had encouraged Tim2K to &quot;follow his heart&quot; and go through with this stunt." /></a>
<a href='https://www.lyndsanity.com/music/we-got-your-crazy-wackiest-vma-moments-of-the-past-three-decades/attachment/vmas9/'><img width="150" height="150" src="https://www.lyndsanity.com/wp-content/uploads/2016/06/vmas9-150x150.jpg" class="attachment-thumbnail" alt="Michael Jackson Wins Non-Existent &quot;Artist of the Millennium&quot; Award (2002) - The King of Pop was once of the king of MTV. So it&#039;s understandable that when Michael appeared on the VMAs — with Britney Spears presenting him with his 44th birthday cake and saying he was the &quot;artist of the millennium&quot; in her eyes — he thought he was getting a well-deserved lifetime achievement. The truly embarrassing part was that he mistook a cheap Styrofoam cake decoration for a trophy, then delivered an emotional acceptance speech that name-checked David Blaine. Oh well. After his death, MTV&#039;s Video Vanguard Award was renamed after Michael." /></a>
<a href='https://www.lyndsanity.com/music/we-got-your-crazy-wackiest-vma-moments-of-the-past-three-decades/attachment/vmas10/'><img width="150" height="150" src="https://www.lyndsanity.com/wp-content/uploads/2016/06/vmas10-150x150.jpg" class="attachment-thumbnail" alt="Eminem Feuds With Moby, Puppet (2002) - Marshall Mathers really needs to pick on people his own size. While Kid Rock at least had the decency to brawl with an equal opponent that year (Tommy Lee), in 2002 Eminem flipped off bookish, bespectacled techno star Moby (whom the rapper ridiculed in &quot;Without Me&quot;), then later called Moby a &quot;little girl&quot; in one of his acceptance speeches and warned, &quot;I will hit a man with glasses.&quot; He also shoved Conan-affiliated canine hand puppet Triumph the Insult Comic Dog, when Triumph attempted to interview Eminem about the Moby incident. Despite being the big VMA winner that year, Shady&#039;s shady behavior elicited rounds of audience boos. Where was Kanye to interrupt Eminem&#039;s nasty speech, when Moby and Triumph needed him most?" /></a>
<a href='https://www.lyndsanity.com/music/we-got-your-crazy-wackiest-vma-moments-of-the-past-three-decades/attachment/vmas11/'><img width="150" height="150" src="https://www.lyndsanity.com/wp-content/uploads/2016/06/vmas11-150x150.jpg" class="attachment-thumbnail" alt="vmas11" /></a>
<a href='https://www.lyndsanity.com/music/we-got-your-crazy-wackiest-vma-moments-of-the-past-three-decades/attachment/vmas12/'><img width="150" height="150" src="https://www.lyndsanity.com/wp-content/uploads/2016/06/vmas12-150x150.jpg" class="attachment-thumbnail" alt="Miley Cyrus Can&#039;t Stop (2013) - The big performer at last year&#039;s VMAs was supposed to be Lady Gaga, who opened the show singing &quot;Applause&quot; in a tiny seashell thong. But then Miley and her famous foam finger hit the stage, and everyone instantly forgot about Gaga. Twerking up a storm in plastic panties, letting that foam finger do the walking, and grinding up on Robin Thicke (a married man 16 years her senior), Miley definitely blurred the lines of good taste. Everyone from concerned parents to the actual inventor of the foam finger complained about this shocking performance, but Miley&#039;s career totally took off after this. The same can&#039;t be said for Robin: Not long after this embarrassing public display, his wife of nine years, Paula Patton, filed for divorce, and Robin&#039;s subsequent breakup album, Paula, was a massive flop." /></a>
<a href='https://www.lyndsanity.com/music/we-got-your-crazy-wackiest-vma-moments-of-the-past-three-decades/attachment/vmas13/'><img width="150" height="150" src="https://www.lyndsanity.com/wp-content/uploads/2016/06/vmas13-150x150.jpg" class="attachment-thumbnail" alt="Britney&#039;s &quot;Gimme More&quot; Performance: Gimme Less, Please (2007) - Don&#039;t call it a comeback. Because it wasn&#039;t. Yes, the big hype in &#039;07 was the fact that Britney Spears, a woman who&#039;d made VMA history in the past by performing with Madonna and a live albino snake, would be kicking off that year&#039;s Vegas ceremony with a performance of her supposed comeback single, &quot;Gimme More.&quot; But with worse lip-synching than SNL-era Ashlee Simpson, clodfooted choreography that in no way reflected the hours of rehearsal time she&#039;d reportedly logged at the Millennium Dance Studio... seriously, Kevin Federline probably could have done a better job opening the VMAs. Thankfully, Britney recovered at the following year&#039;s VMAs (when she was the big winner), but at the time, it seemed like her career was over." /></a>
<a href='https://www.lyndsanity.com/music/we-got-your-crazy-wackiest-vma-moments-of-the-past-three-decades/attachment/vmas14/'><img width="150" height="150" src="https://www.lyndsanity.com/wp-content/uploads/2016/06/vmas14-150x150.jpg" class="attachment-thumbnail" alt="vmas14" /></a>

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