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	<title>Lyndsanity &#187; coolio</title>
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	<description>crazy in love with all things pop</description>
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		<title>‘Gangsta’s Paradise’ at 25: Coolio talks ‘great white hope’ movie clichés, Weird Al feud, and performing with Michelle Pfeiffer, Stevie Wonder and Howard Stern</title>
		<link>https://www.lyndsanity.com/music/gangstas-paradise-at-25-coolio-talks-great-white-hope-movie-cliches-weird-al-feud-and-performing-with-michelle-pfeiffer-stevie-wonder-and-howard-stern/</link>
		<comments>https://www.lyndsanity.com/music/gangstas-paradise-at-25-coolio-talks-great-white-hope-movie-cliches-weird-al-feud-and-performing-with-michelle-pfeiffer-stevie-wonder-and-howard-stern/#comments</comments>
		<pubDate>Thu, 06 Aug 2020 02:24:45 +0000</pubDate>
		<dc:creator><![CDATA[Lyndsey Parker]]></dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[coolio]]></category>
		<category><![CDATA[interviews]]></category>

		<guid isPermaLink="false">http://www.lyndsanity.com/?p=23248</guid>
		<description><![CDATA[Twenty-five years ago, the Michelle Pfeiffer movie Dangerous Minds was released — and while it was a hit at the box office, the real success story was its theme song, “Gangsta’s Paradise” by Compton rapper Coolio. It became the top-selling single of 1995 (and one of the top-selling singles of all time, with 6 million [&#8230;]]]></description>
				<content:encoded><![CDATA[<p>Twenty-five years ago, the Michelle Pfeiffer movie <em>Dangerous Minds</em> was released — and while it was a hit at the box office, the real success story was its theme song, “Gangsta’s Paradise” by Compton rapper Coolio. It became the top-selling single of 1995 (and one of the top-selling singles of all time, with 6 million copies worldwide); it was nominated for Record of the Year at the Grammy Awards and won the Grammy for Best Rap Solo Performance; and it was voted as best single of the year in the Village Voice Pazz &amp; Jop critics’ poll.</p>
<p>The dark, dramatic, orchestral track remains a bona fide hip-hop classic, and it has held up better than Dangerous Minds itself, a film whose “white savior” trope seems antiquated and actually tone-deaf in 2020. Even Coolio points out t that “those kinds of movies” — like <em>Dangerous Minds</em>, <em>The Blind Side</em>, and <em>The Help</em> — are “cliché as hell.”</p>
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