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	<title>Lyndsanity &#187; Rad Stuff</title>
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		<title>Autobiography of GTOs founder Miss Mercy, co-written by Lyndsey Parker, out now</title>
		<link>https://www.lyndsanity.com/music/autobiography-of-gtos-founder-miss-mercy-co-written-by-lyndsey-parker-set-for-posthumous-release/</link>
		<comments>https://www.lyndsanity.com/music/autobiography-of-gtos-founder-miss-mercy-co-written-by-lyndsey-parker-set-for-posthumous-release/#comments</comments>
		<pubDate>Wed, 09 Jun 2021 19:29:57 +0000</pubDate>
		<dc:creator><![CDATA[Lyndsey Parker]]></dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Rad Stuff]]></category>
		<category><![CDATA[mercy fontenot]]></category>
		<category><![CDATA[miss mercy]]></category>
		<category><![CDATA[permanent damage]]></category>

		<guid isPermaLink="false">http://www.lyndsanity.com/?p=15457</guid>
		<description><![CDATA[&#160; &#160; ORDER HERE “There were definitely better known personalities than Mercy Fontenot in her time, but she was no less of a thrilling iconoclast for it. Long before unorthodox women like Cosey Fanni Tutti or Courtney Love there was Mercy Fontenot. Her relatively unknown story, told here in her own words, is chock-full of [&#8230;]]]></description>
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<p><a href="https://www.lyndsanity.com/wp-content/uploads/2021/05/9781644282083_p0_v1_s1200x630.jpg"><img class="aligncenter size-full wp-image-15697" src="https://www.lyndsanity.com/wp-content/uploads/2021/05/9781644282083_p0_v1_s1200x630.jpg" alt="" width="387" height="630" /></a></p>
<p>&nbsp;</p>
<p><a href="https://rarebirdlit.com/permanent-damage-memoirs-of-an-outrageous-girl-by-mercy-fontenot-and-lyndsey-parker/"><strong>ORDER HERE</strong></a></p>
<p>“There were definitely better known personalities than Mercy Fontenot in her time, but she was no less of a thrilling iconoclast for it. Long before unorthodox women like Cosey Fanni Tutti or Courtney Love there was Mercy Fontenot. Her relatively unknown story, told here in her own words, is chock-full of delightful pop culture references and peppered with cameos from some of music’s most beloved stars, but the story that sticks with you long after the telling is done is that of Mercy herself. Rock ‘n’ roll rebel until the end. What a gal.”</p>
<p>—<strong>Shirley Manson, Garbage</strong></p>
<p><strong>Mercy Fontenot</strong> was a Zelig who grew up in the San Francisco Haight Ashbury scene, where she crossed paths with <strong>Charles Manson</strong>, went to the first Acid Test, and was friends with <strong>Jimi Hendrix</strong> (she was later in his movie <em>Rainbow Bridge</em>). She predicted the Altamont disaster when reading the <strong>Rolling Stones’</strong> tarot cards at a party and left San Francisco for the climes of Los Angeles in 1967 when the Haight “lost its magic.”</p>
<p>Miss Mercy’s work in the <strong>GTOs</strong>, the <strong>Frank Zappa</strong>-produced all-female band, launched her into the pages of <strong>Rolling Stone</strong> in 1969. Her adventures saw her jumping out of a cake at <strong>Alice Cooper’s</strong> first record release party, while high on PCP, and had her travel to Memphis where she met <strong>Al Green</strong> and got a job working for <strong>the Bar-Kays</strong>. Along the way, she married and then divorced <strong>Shuggie Otis</strong>, before transitioning to punk rock and working with the <strong>Rockats</strong> and <strong>Gears</strong>. This is her story as she lived and saw it.</p>
<p>Written just prior to her death in <strong>2020</strong> with veteran music journalist <strong>Lyndsey Parker</strong>, <strong>Permanent Damage: Memoirs of An Outrageous Girl</strong> shows us the world of the 1960s and 1970s music scene through Mercy’s eyes, as well as the fallout of that era–experiencing homelessness before sobering up and putting her life back together. Miss Mercy’s journey is a can’t miss for anyone who was there and can’t remember, or just wishes they’d been there.</p>
<p>“Miss Mercy was dripping in sarcasm. She was a very funny and lovely lady. She may have been the voice of reason for the GTOs… but I doubt it.”— <strong>Alice Cooper</strong></p>
<p>“Miss Mercy spun herself through the most magical days of the ‘60s and into the arms of punk. She was a that one-of-a-kind character none of us will ever forget.”— <strong>Exene Cervenka, X</strong></p>
<p>“I am thrilled to know this book is finally out there and we can know firsthand what it was like to live in Miss Mercy’s towering platform shoes. I love rock ‘n’ roll, and Lyndsey Parker has the most encyclopedic knowledge of all music; I can’t think of a better person to bring Mercy’s story to life.”— <strong>Margaret Cho</strong></p>
<p>“Miss Mercy was a one-off iconoclast, style- and taste-wise. She looked, lived, and loved uniquely and was a trailblazer for women in rock ‘n’ roll.”— <strong>Siobhan Fahey</strong>, <strong>Bananarama</strong> and <strong>Shakespears Sister</strong></p>
<p>“Mercy was one of the most inspirational and magical people I ever got the chance to meet and work with. She had endless stories to tell and the coolest style, like a badass gypsy pirate witch. She embodied that old spirit of Hollywood that we never get to see anymore. Mercy was and will always be a legend.”— <strong>Arrow de Wilde, Starcrawler</strong></p>
<p>“Lyndsey and Mercy had many things in common, the most important of which was commitment. Both committed to the music and the musicians that made it. Mercy had secrets and stories and reveals them here to someone who understands. An imperative read for anyone with a rock ‘n’ roll soul.”— <strong>Michael Des Barres</strong></p>
<p><strong>Mercy Fontenot</strong> ran away to Haight-Ashbury at sixteen in 1965. In 1967, citing that the Haight was getting boring, and she couldn’t stay a hippie forever, Fontenot moved to Los Angeles, where she met <strong>Frank Zappa</strong> and <strong>Pamela Des Barres</strong> and fell in with the <strong>GTOs</strong>, an all-female band whose album <strong>Permanent Damage</strong> was released in 1969. The two songs she wrote for the band were eventually recorded by <strong>Jeff Beck</strong>, <strong>Rod Stewart</strong>, and <strong>Lowell George</strong>.</p>
<p>In the late-70s she reinvented herself, doing punk hair and styling for bands like the <strong>Rockats</strong> and <strong>Gears</strong> and then influencing the roots-rock scene. After falling on hard times, she finally got sober and wrote her story. <strong>Permanent Damage</strong> is her memoir, published posthumously in 2021 (June 9) via Rare Bird Books.</p>
<p><strong>Lyndsey Parker</strong> is the music editor at Yahoo Entertainment and host of the daily SiriusXM Volume show <em>Volume West</em>. Considered an expert in music and pop culture, Parker is an Online Journalism Award nominee and has written for <em>Elle</em>, <em>MOJO</em>, <em>Rolling Stone</em>, <em>NME</em>, and <em>Guitar</em>. She has appeared as a commentator for the ABC special <em>The Show Must Go On: The Queen + Adam Lambert Story</em>, AXS TV’s <em>The Top Ten Revealed</em>, and the documentary <em>I Want My MTV</em>, as well as for VH1’s <em>Behind the Music</em>, CNN, MTV, <em>The Insider</em>, and <em>Good Day L.A.</em>. She is the author of <em>Careless Memories of Strange Behavior: My Notorious Life as a Duran Duran Fan </em>(one of the first e-books published as part of Rhino Records’ all-digital music book series, which went to #1 on the iTunes Music Books chart).</p>
<p>AVAILABLE IN HARDCOVER and E-BOOK</p>
<p>BIOGRAPHY/ AUTOBIOGRAPHY/ MUSIC</p>
<p>9781644281826 | US $27.00 | 6 x 9 in. | 320 pp.</p>
<p>RARE BIRD BOOKS, A BARNACLE BOOK</p>
<p>DISTRIBUTED WOLRDWIDE BY PUBLISHERS GROUP WEST</p>
<p>RAREBIRDLIT.COM</p>
<div id="attachment_15698" style="width: 692px" class="wp-caption aligncenter"><a href="https://www.lyndsanity.com/wp-content/uploads/2021/05/40.-Mercy-Lyndsey-jacket-photo_Brantley-Gutierrez.jpg"><img class="size-large wp-image-15698" src="https://www.lyndsanity.com/wp-content/uploads/2021/05/40.-Mercy-Lyndsey-jacket-photo_Brantley-Gutierrez-682x1024.jpg" alt="Lyndsey Parker and Mercy Fontenot (Photo: Brantley Guttierez)" width="682" height="1024" /></a><p class="wp-caption-text">Lyndsey Parker and Mercy Fontenot (Photo: Brantley Guttierez)</p></div>
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		<title>Alice Cooper talks snakes, movie roles, lost &#8217;80s albums, and who would play him in a biopic</title>
		<link>https://www.lyndsanity.com/music/alice-cooper-talks-snakes-movie-roles-lost-80s-albums-and-who-would-play-him-in-a-biopic/</link>
		<comments>https://www.lyndsanity.com/music/alice-cooper-talks-snakes-movie-roles-lost-80s-albums-and-who-would-play-him-in-a-biopic/#comments</comments>
		<pubDate>Wed, 20 May 2020 21:58:41 +0000</pubDate>
		<dc:creator><![CDATA[Lyndsey Parker]]></dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Rad Stuff]]></category>
		<category><![CDATA[Television]]></category>
		<category><![CDATA[alice cooper]]></category>
		<category><![CDATA[interviews]]></category>

		<guid isPermaLink="false">http://www.lyndsanity.com/?p=22672</guid>
		<description><![CDATA[Alice Cooper chats with me about his roles in Wayne&#8217;s World, Sgt. Pepper&#8217;s Lonely Hearts Club Band, and Dark Shadows; his coked-out &#8217;80s albums like Flush the Fashion; and of course, snakes. My own pet snake sat in for this one!]]></description>
				<content:encoded><![CDATA[<p><span style="color: #131313;">Alice Cooper chats with me about his roles in <em>Wayne&#8217;s World</em>, <em>Sgt. Pepper&#8217;s Lonely Hearts</em> <em>Club Band</em>, and <em>Dark Shadows; </em>his coked-out &#8217;80s albums like Flush the Fashion; </span>and of course, snakes. My own pet snake sat in for this one!</p>
<p><iframe title="YouTube video player" src="https://www.youtube.com/embed/2OKfJuAAOI0?si=D__QRm8yK9EQ23z_" width="560" height="315" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
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		<title>Why Cat Rapper MoShow Is Crazy for Cat Ladies</title>
		<link>https://www.lyndsanity.com/music/why-cat-rapper-moshow-is-crazy-for-cat-ladies/</link>
		<comments>https://www.lyndsanity.com/music/why-cat-rapper-moshow-is-crazy-for-cat-ladies/#comments</comments>
		<pubDate>Wed, 08 Aug 2018 01:09:18 +0000</pubDate>
		<dc:creator><![CDATA[Lyndsey Parker]]></dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Rad Stuff]]></category>
		<category><![CDATA[cats]]></category>
		<category><![CDATA[interviews]]></category>
		<category><![CDATA[moshow]]></category>

		<guid isPermaLink="false">http://www.lyndsanity.com/?p=6523</guid>
		<description><![CDATA[This year, International Cat Day (yes, it’s a real holiday) fell on a Wednesday, Aug. 8, so there was double cause for celebration. For the past five years, the self-described “internet&#8217;s premier cat rapper,” MoShow, as seen on Ellen, has been hashtagging #BeautifulCatLadyWednesdays every week as part of an earnest online campaign to erase the [&#8230;]]]></description>
				<content:encoded><![CDATA[<div id="attachment_3235846" style="width: 894px" class="wp-caption alignnone"><img class="alignnone size-full wp-image-3235846" src="https://media.zenfs.com/creatr-images/GLB/2018-07-25/e3fbfb20-9052-11e8-b30c-4d2ad5dd08c7_moshow.jpg" alt="" width="663" height="546" /><p class="wp-caption-text">MoShow, Ravioli, and their female fans. (Photo: iammoshow.com)</p></div>
<p>This year, <a href="https://in.style.yahoo.com/cuteness-alert-international-cat-day-115504630.html">International Cat Day</a> (yes, it’s a <a href="https://www.daysoftheyear.com/days/international-cat-day/">real holiday</a>) fell on a Wednesday, Aug. 8, so there was double cause for celebration. For the past five years, the self-described “internet&#8217;s premier cat rapper,” MoShow, <a href="https://youtu.be/GzDlO1oRMpE?t=2m18s">as seen on <em>Ellen</em></a>, has been hashtagging <a href="https://www.instagram.com/explore/tags/beautifulcatladywednesdays/">#BeautifulCatLadyWednesdays</a> every week as part of an earnest online campaign to erase the stigma against female feline fans.</p>
<p>“A lot of women would come up to me or write me and say how they were talking to a really attractive guy, and the moment the guy found out they had two or three cats, they automatically got moved into the ‘crazy cat lady’ vibe,” MoShow tells Yahoo Entertainment via phone from Portland, Ore. (where he lives with the five internet-famous kitties that make up his “Wu Cat Clan”).</p>
<p><iframe src="https://www.youtube.com/embed/ZyvYofnGP5E" width="560" height="315" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p>“I never agreed with that. To me, it was always like, ‘Oh <em>yeah</em>, you got <em>cats</em>? <em>Ooh</em>, can I get closer?’ So, I had a problem with that [negative stereotype], and it would make me sad. So, every Wednesday, I dedicate that day to cat ladies. It&#8217;s my way of giving back and saying, ‘Hey, I appreciate you all. I don&#8217;t think you&#8217;re crazy. That guy is out there for you. Thank you for loving your cats so much. I see you, and I&#8217;m with you.’ It&#8217;s just my way of letting them know they&#8217;re all loved and appreciated and they&#8217;re beautiful.”</p>
<div id="attachment_3303791" style="width: 982px" class="wp-caption alignnone"><img class="alignnone size-full wp-image-3303791" src="https://media.zenfs.com/creatr-images/GLB/2018-08-08/1fa22530-9b27-11e8-a62c-53451ccbbfdc_moshowtwitter.jpg" alt="" width="642" height="792" /><p class="wp-caption-text">MoShow with cat Ravioli. (Photo: IamMoshow.com)</p></div>
<p>MoShow, whose real name is Dwayne Molock, estimates that cat ladies comprise “65 to 70 percent” of his fan base, and the audiences at his concerts range “from age 85 down to age 3,” although he often connects most with older women. “A cat lady could write me a long message saying something like how she was really sad and I inspired her day, or I have older women that&#8217;s in their 80s saying, ‘Hey, I&#8217;m in the hospital. I&#8217;m not doing very well. The only thing that&#8217;s been keeping me going is seeing your videos.’ He also recalls a 70-something cat lady who flagged him down in the supermarket and “broke down crying, telling me about how she had just lost one of her cats and she feels like the spirit of one of her cats is running through me. It’s really mind-blowing.”</p>
<p>It’s understandable that MoShow loves cat ladies: He’s actually been dating one since college. “I met a really cool, adorable young lady in my theater class, and she had a black cat named Queenie,” he recalls. “Queenie would watch me study downstairs in the basement, and as the months went on, she became closer and closer. The moment Queenie sat in my lap was when I got cat fever. And it just took over from there.”</p>
<p><iframe src="https://www.youtube.com/embed/3cUjkrRMhdE" width="560" height="315" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p>Since then, MoShow has adopted five cats — Tali and her daughters Queen Sushi and Mega Mam, Black $avage (“the S is a dollar sign,” MoShow notes), and DJ Ravioli — who star in MoShow’s viral videos for fur-flying jams like “Cat Wine,” “Cat World,” and “Cat Emotions” and have lent their meows to his two <em>Cat Love</em> EPs. MoShow says Tali is the most recordable of the cats (“She’s the very talkative one, for sure”), but orange tabby Ravioli is probably the fan favorite thanks to a video of MoShow freestyling while he gives a surprisingly cooperative Ravioli a bath. That video has racked up 7.2 million views on Facebook, and a more recent clip of MoShow and Ravioli taking on Drake’s #InMyFeelingsChallenge is already at 14 million.</p>
<p><iframe style="border: none; overflow: hidden;" src="https://www.facebook.com/plugins/video.php?href=https%3A%2F%2Fwww.facebook.com%2Fiammoshow%2Fvideos%2F1061245527317609%2F&amp;show_text=0&amp;width=267" width="267" height="476" frameborder="0" scrolling="no"></iframe></p>
<p>“Ravioli wants to record in the studio with me every day. He&#8217;s always rapping with me, taking baths. I can&#8217;t record without DJ Ravioli being in the studio. He won&#8217;t let me go by myself, so it&#8217;s just being around that energy and seeing that love and affection every day is what, I think, powers my main source,” says MoShow, although he stresses that he loves his cat-kids equally. “I never wanted to split them up and start making favorites or break them apart; I&#8217;m the cat rapper, and this is my gang, my entourage that I roll with.”</p>
<p>However, MoShow does feel a special connection to his three sphynx cats (Tali, Sushi, and Mega Mam), because they’re “the undercats of the cat world; some people don&#8217;t even consider them cats!” MoShow, who eventually put himself through college and graduated with a degree in computer science, always felt very “alienated” and “judged” at his privileged, gifted-students’ high school while growing up in the Baltimore projects, so he “identified with sphynx cats more. I felt like those were the most underappreciated cats, and I could relate to that. I feel like the undercat, the underground person that people thought wasn&#8217;t going to make it.”</p>
<p><iframe src="https://www.youtube.com/embed/qV2PUT4V22w" width="560" height="315" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p>MoShow began rapping when he was 16, but he didn’t really “make it” until he realized that cat-focused hip-hop was his true calling about six years ago. “The problem was when I was rapping before, I never wanted to rap about a life that I didn&#8217;t live. But I did love cats. I love a cat lady. I&#8217;m a positive guy. So, with all of those things being said and me not being a ‘gangster,’ I decided I wanted to actually live my truth and just rap about who I really am. That&#8217;s why I rapped about cats. I felt it was just me being my most authentic self.”</p>
<p><iframe src="https://www.youtube.com/embed/ey15j00yJWw" width="560" height="315" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p>At first, MoShow says, “People called me crazy and laughed at me,” but now he’s amassed a devoted following, playing regular club gigs as well as special cat events (like last weekend&#8217;s <a href="https://www.catconworldwide.com/">CatCon</a> in Los Angeles), and turning former doubters into hip-hop fans. “A lot of my cat family has told me that they are not fans of rap, but for some reason I&#8217;ve made them love rap music,” he says. “I take that as the highest compliment, coming from people in their 80s, you know? It&#8217;s cool to see that I&#8217;ve shown them a different side, that I&#8217;m getting them to listen to some new things.”</p>
<p>MoShow doesn’t perform concerts with his cats, because he thinks the noise and chaos would stress them out, but they do seem incredibly relaxed in his videos, whether he’s dressing them up (“They love wearing clothes!”), walking Sushi on a leash, or bathing Ravioli. And that’s because the cats seem to love MoShow as much as MoShow loves cat ladies.</p>
<blockquote class="twitter-tweet" data-lang="en">
<p dir="ltr" lang="en">Sorry for the last post, ive been spending some alone time with my cat Queen Sushi, shes in one of her MOODS right meow. Retweet this if we just put a smile on your face. Which was the goal we were aiming for <a href="https://t.co/m7E4KNXgqN">pic.twitter.com/m7E4KNXgqN</a></p>
<p>— iAmMoshow &#8211; The Cat Rapper ™ (@iammoshow) <a href="https://twitter.com/iammoshow/status/1021937063208267776?ref_src=twsrc%5Etfw">July 25, 2018</a></p></blockquote>
<p><script src="https://platform.twitter.com/widgets.js" async="" charset="utf-8"></script></p>
<p>“They&#8217;re very obsessed with me. I&#8217;m obsessed with them,” MoShow laughs. “It&#8217;s just a full trust thing, to be honest with you. They jump on me, and then we take a selfie. They look in the camera, and they just sit there. We&#8217;re shooting a music video, and they&#8217;re on my shoulder, and they just stay there. We have a real connection.”</p>
<p><iframe src="https://www.youtube.com/embed/zUeYcybW6dI" width="560" height="315" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p>Along with spreading the love for misunderstood cat ladies, MoShow spearheads other cat-related campaigns, including discouraging declawing and encouraging the adoption of stigmatized black cats like his own beloved Black $avage. He also regularly visits animal shelters and takes pictures with cats to help find them homes, as shown in his <a href="https://youtu.be/Wv8EoB4WJzc">“Adopt a Cat” video with the Oregon Humane Society</a>. Which brings up the question: Will he ever adopt more cats to add to his entourage? “I can&#8217;t drop any secrets, but I&#8217;m pretty sure me and you both know I&#8217;m not done yet,” he answers with a chuckle. “I <em>will</em> say that I already have names picked out.”</p>
<p>MoShow is clearly a sensitive guy, so when asked who his dream musical collaborator would be, perhaps his pick isn’t such a surprise. “If I ever got a chance to work with someone, I&#8217;d like to work with James Taylor. He&#8217;s my favorite,” MoShow gushes. So, perhaps a remake of “You’ve Got a Friend” with MoShow, Taylor, and Ravioli will take place someday. The beautiful cat ladies out there would surely love that.</p>
<p><iframe src="https://www.youtube.com/embed/gd-NuF-VmHQ" width="560" height="315" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p><strong>Follow Lyndsey on <a href="http://facebook.com/lyndsanity" target="_blank" rel="noopener">Facebook</a>, <a href="http://twitter.com/lyndseyparker" target="_blank" rel="noopener">Twitter</a>, <a href="http://instagram.com/lyndseyparker" target="_blank" rel="noopener">Instagram</a>, <a href="https://plus.google.com/+LyndseyParker/" target="_blank" rel="noopener">Google+</a>, <a href=" http://www.amazon.com/Careless-Memories-Strange-Behavior-ebook/dp/B008A8NXGM/ref=sr_1_1?ie=UTF8&amp;qid=1350598831&amp;sr=8-1&amp;keywords=lyndsey+parker" target="_blank" rel="noopener">Amazon</a>, <a href="http://lyndseyparker.tumblr.com/" target="_blank" rel="noopener">Tumblr</a>, <a href="http://open.spotify.com/user/lyndseyparker">Spotify</a></strong></p>
<p><strong style="color: #555555;"><em>This article originally ran on <a style="color: #00ced1;" href="https://www.yahoo.com/entertainment/?ref=gs" target="_blank">Yahoo Entertainment</a>.</em></strong></p>
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		<title>Why &#8216;Grease 2&#8242; Was Always Better Than &#8216;Grease&#8217;</title>
		<link>https://www.lyndsanity.com/music/why-grease-2-was-always-better-than-grease/</link>
		<comments>https://www.lyndsanity.com/music/why-grease-2-was-always-better-than-grease/#comments</comments>
		<pubDate>Fri, 06 Jul 2018 22:35:48 +0000</pubDate>
		<dc:creator><![CDATA[Lyndsey Parker]]></dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Rad Stuff]]></category>
		<category><![CDATA[grease 2]]></category>

		<guid isPermaLink="false">http://www.lyndsanity.com/?p=4065</guid>
		<description><![CDATA[Forty years ago, Grease rama-lama-lama-ka-dinga-da-ding-dong’d its way onto the silver screen, going on to make history as the most successful movie musical of all time. And then, four years later, in the summer of ’82, came its much less summer-loved follow-up: Grease 2. Suffice to say, greased lightnin’ did not strike twice. The controversial sequel [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><iframe src="https://www.yahoo.com/entertainment/video/grease-2-214300679.html?format=embed&amp;player_autoplay=false" width="640" height="360" frameborder="0" data-yom-embed-source="{media_id_1:2235fb73-24aa-3447-97d5-556b57eec0b4}"></iframe></p>
<p>Forty years ago, <a href="https://www.yahoo.com/entertainment/film/grease/"><em>Grease</em></a> rama-lama-lama-ka-dinga-da-ding-dong’d its way onto the silver screen, going on to make history as the most successful movie musical of all time. And then, four years later, in the summer of ’82, came its much less summer-loved follow-up: <em>Grease 2</em>.</p>
<p>Suffice to say, greased lightnin’ did not strike twice. The controversial sequel was helmed by <em>Grease</em> producer Allan Carr and boasted nearly double the budget of its popular predecessor, but it was not the one that moviegoers wanted. <em>Grease 2</em> was a box-office bomb, becoming one of the many black marks on Carr’s résumé, next to the Village People’s Golden Raspberry-winning <em><a href="https://www.yahoo.com/entertainment/village-people-cowboy-randy-jones-on-razzie-winning-cult-classic-cant-stop-the-music-and-co-star-cailtyn-jenner-222903580.html">Can’t Stop the Music</a></em> and that cringeworthy, Carr-masterminded <a href="https://www.yahoo.com/entertainment/blogs/movie-news/rob-lowe-snow-white-worst-oscars-revisited-191056682.html">Rob Lowe/Snow White debacle</a> at the 1989 Academy Awards.</p>
<p>Nowadays, when <em>Grease 2</em> is occasionally remembered in a less-than-totally-contemptuous light, it’s for launching the career of mesmeric future Golden Globe winner and three-time Oscar nominee Michelle Pfeiffer — who at age 60 (!!!) is still a Hollywood A-lister and is now playing Janet van Dyne in this week’s much-anticipated Marvel blockbuster <em><a href="https://www.yahoo.com/entertainment/film/ant-man-and-the-wasp/">Ant-Man and the Wasp</a>. </em>Pfeiffer is rightfully considered to be one of the greatest actresses of her generation, thanks to her star turns in critically heralded films like <em>Dangerous Liaisons</em>, <em>The Fabulous Baker Boys</em>, and <em>The Age of Innocence</em>.</p>
<p>But to me, Pfeiffer will always be the dangerous, fabulous, not-that-innocent lead Pink Lady, Stephanie Zinone.</p>
<div id="attachment_3112119" style="width: 610px" class="wp-caption alignnone"><img class="alignnone size-full wp-image-3112119" src="https://media.zenfs.com/creatr-images/GLB/2018-07-02/22d1ee70-7e35-11e8-adcb-51b12449b660_stephaniezinone.jpg" alt="" width="600" height="458" /><p class="wp-caption-text">Michelle Pfeiffer in <em>Grease 2.</em> (Photo: Paramount Pictures)</p></div>
<p>Why? Because <em>GREASE 2</em> IS ACTUALLY SUPERIOR TO <em>GREASE</em>. There, I said it. <em>Somebody</em> had to, after all these years! So let&#8217;s turn back the hand of time (as the love duet from <em>Grease 2</em> once <a href="https://www.youtube.com/watch?v=yPQQzJGKOvk">sentimentally recommended</a>) and reassess this unjustly maligned cult classic.</p>
<p>Pfeiffer’s character, as a second-wave feminist of the early 1960s, is the main reason why <em>Grease 2</em> is more satisfying viewing for me. If I had a daughter, I’d <em>much</em> prefer she look up to the wise- and gum-cracking, ladder- and motorcycle-straddling Stephanie — a badass biker babe who holds down an afterschool job at her father’s hot rod garage, refuses to be some loser T-Bird’s arm candy (&#8220;There&#8217;s gotta be more to life than making out &#8230; I&#8217;m tired of being someone&#8217;s chick,” she muses at one point), and knows exactly what she wants (a cool rider, of course; don’t we all?) — than emulate the spineless Sandy of the first <em>Grease</em>. True, Stephanie doesn’t possess Sandy’s singing chops, but she does a whole lot more than “fill Olivia Newton-John&#8217;s shoes and tight pants very well,” as <em>Variety</em> once dismissively wrote.</p>
<p>The original film’s Sandy, despite being a “good girl,” is no role model. And <em>Grease</em> is no &#8217;50s fairytale. Sandy’s “romance” with the uncouth Danny Zuko begins with him bragging (<em>read: lying</em>) to his friends that they went “all the way” during their summer fling. And then, when the two are unexpectedly reunited at Rydell High, Danny — more concerned with impressing those friends — treats Sandy terribly and leaves her in tears. He spends the rest of the movie acting embarrassed by his goody-goody girlfriend (at their awkward group malt shop date), ignoring her (callously pushing her aside at prom in order to win a dance contest with his more rhythmically talented ex — on national TV, yet!), or practically date-raping her (yet we’re supposed to be feel sympathy for <em>Danny</em> when Sandy flees in terror, leaving him blue-balled and “stranded at the drive-in”).</p>
<p>And we’re <em>still</em> supposed to cheer when the hopelessly devoted Sandy finally CHANGES EVERYTHING ABOUT HERSELF — even taking up a filthy smoking habit! — to win Danny’s affections. I’d always hoped that she&#8217;d wise up and instead go back to that hunky, Letterman-sweatered valedictorian she briefly dated to make Danny jealous, a boy who might be an actual suitable long-term partner. But hey, that’s just me.</p>
<p>Fun fact: Danny and Sandy were supposed to have cameos in <em>Grease 2</em>, as a married couple <em>running a gas station together</em>. Yep, <em>that’s</em> the future that awaited former straight-A student Sandy after graduation, if she ended up becoming Mrs. Zuko.</p>
<p>The feisty Stephanie Zinone was always destined for bigger and better things.</p>
<div id="attachment_3112106" style="width: 653px" class="wp-caption alignnone"><img class="alignnone size-full wp-image-3112106" src="https://media.zenfs.com/en-GB/homerun/the_telegraph_818/7e3fdc53a6a3dc35f4cc1ffe7e2660ff" alt="" width="643" height="402" /><p class="wp-caption-text">Photo: Paramount Pictures</p></div>
<p>The <em><a href="https://www.washingtonpost.com/archive/lifestyle/1982/06/11/slick-grease/7783e75d-9625-4848-bb52-d1a627a58ae3/?noredirect=on&amp;utm_term=.2067e2db4029">Washington Post</a></em>, one of the few publications that favorably reviewed <em>Grease 2</em> at the time of its release, noticed this feminist shift between the two <em>Grease</em>s (and noticed Pfeiffer’s standout performance), opining: “The change [in tone] proves especially flattering to the female characters. The girls in this blithe, satirical exaggeration of high school mores in the early &#8217;60s enjoy parity with the boys and they express an emotional integrity that their counterparts in <em>Grease</em> could only envy. At the same time, they exert more erotic force. The romantic longings that seemed synthetic when expressed in song or expression by Olivia Newton-John acquire a smoldering, savory conviction in Michelle Pfeiffer, who seems to combine suggestions of an embryonic Deborah Harry with a bouncy, giddy sweetness.”</p>
<div id="attachment_3127267" style="width: 510px" class="wp-caption alignnone"><img class="alignnone size-full wp-image-3127267" src="https://media.zenfs.com/creatr-images/GLB/2018-07-05/47adbab0-8035-11e8-9b41-f522f3ae0ee0_grease2gif.gif" alt="" width="500" height="400" /><p class="wp-caption-text">Maxwell Caulfield and Michelle Pfeiffer in &#8216;Grease 2&#8242; (Photos: Tumblr/Paramount Pictures)</p></div>
<p>And speaking of sweetness, let’s talk about Stephanie’s <em>Grease 2</em> love interest: English gentleman and scholar Michael Carrington. (Yes, Michael, played by <em>Dynasty</em> dreamboat and the future <a href="https://www.youtube.com/watch?v=szvt8iWJ0oo">Rex Manning of <em>Empire Records</em></a>, Maxwell Caulfield, is supposed to be <em>Australian</em> Sandy’s cousin — but he’s <em>British</em>. The Commonwealth and all that, I guess.) Now, <em>this</em> is a man who’s true-blue(blood) boyfriend material! The sensitive and enlightened Michael accepts Stephanie <em>just as she is</em>, and when she tells him in no uncertain terms that she will give her heart only to “a dream on a mean machine with hell in his eyes,” <em>he</em> is the one who changes, saving up his tutoring wages for a motorcycle and metamorphosing into the “devil in skintight leather” mystery man of Stephanie’s revved-up sexual fantasies.</p>
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<p>True, it’s a shame that Michael’s moto-makeover involves obscuring most of his perfect head and face with a helmet and fogged-up goggles. And let’s face it, the biggest suspension of disbelief required by this film — even more so than the characters breaking randomly into song every few minutes — is assuming that Michael would be an unpopular geek at Rydell just because he favors Mr. Rogers cardigans over leather jackets and tutors Stephanie in English. (Yes, he even helps Stephanie with her homework. What a guy!) I mean, the man has a swoon-inducing <em>British accent</em> and a high-cheekboned countenance that makes him look like the sixth member of Duran Duran. Are we <em>really</em> supposed to believe Michael would not be swarmed by coeds on the very first day of school?</p>
<div id="attachment_3112145" style="width: 686px" class="wp-caption alignnone"><img class="alignnone size-full wp-image-3112145" src="https://media.zenfs.com/creatr-images/GLB/2018-07-02/d2c0b050-7e35-11e8-9c4c-0f1a8463183b_GettyImages-159842914.jpg" alt="" width="676" height="1049" /><p class="wp-caption-text">Maxwell Caulfield in <em>Grease 2</em>. (Photo: Getty Images)</p></div>
<p>But anyway, my point is, Michael is a standup guy. He’s willing to compromise for love, he’s a brainiac with a bright future, and this second film&#8217;s healthier example of an opposite-attracts relationship is based on friendship and <em>respect</em>. As <em><a href="http://themovieboy.com/reviews/g/82_grease2.htm">The Movie Boy</a></em> accurately writes: “With charismatic breakthrough acting turns from Maxwell Caulfield and Michelle Pfeiffer that make it clear why Pfeiffer soon became an A-list Hollywood actress and not so obvious why Caulfield, despite still working steadily today, did not hit it bigger, the love story between Michael and Stephanie is as winning, if not more so, than the one between Danny and Sandy.” Damn straight. Sometimes nice guys don’t finish last.</p>
<p>And now, let’s compare the two <em>Grease</em> soundtracks. The first one shifted a whopping 28 million units worldwide, making it one of the best-selling albums of all time. Just this past weekend, the world-famous Hollywood Bowl hosted its annual “Grease Sing-A-Long” revue with Didi “Frenchy” Conn and Sha Na Na, and <a href="https://www.yahoo.com/entertainment/music-stars-give-grease-lightning-vanessa-142058839.html">Fox’s <em>Grease Live!</em> production</a> was a big TV hit in 2016. Meanwhile, the <em>Grease 2</em> soundtrack stalled at No. 71 on the album chart and yielded no hits. (Lead single “Back to School Again,” despite being <a href="http://grease2.net/cast-interviews/interview-louis-st-louis/">sung by actual legends and Rock and Roll Hall of Famers THE FOUR TOPS</a>, barely cracked the Billboard Hot 100.)  These stats would have you believing that the music of the first <em>Grease</em> is superior. <em>But you would be wrong</em>. That is why I’m still waiting for the Bowl’s “Grease 2 Sing-A-Long” and for Fox to greenlight <em>Grease 2 Live! </em>(That has not happened yet, sadly, but a Grease 2-inspired musical, <em>Cool Rider!</em>, did run in London a few years ago. Give it all the Tonys!)</p>
<p><iframe src="https://www.youtube.com/embed/1bbTEJCoNxw" width="560" height="315" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p>What makes the <em>Grease 2</em> soundtrack so much damn fun is how totally oversexed it is. While <em>Grease 1</em>’s songs shyly, nudge-winkingly allude to sex (“Well, she was good — you know what I mean”), the hormonal overgrown teens of the sequel aren’t shy at all — thus foreshadowing the ‘60s sexual revolution right around the corner. (<em>Grease 2</em> takes place in 1961.) There’s the Adrian Zmed vehicle “We’re Gonna Score Tonight,” for starters, with its elaborate and unsubtle bowling/sex metaphors, and “Let’s Do It for Our Country,” a horndog plea for Cold War coitus that seems even more timely in 2018.</p>
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<p><iframe src="https://www.youtube.com/embed/gJOTKR6LpYE" width="560" height="315" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p>And <em>then</em> there&#8217;s the film’s sexy centerpiece, “Reproduction,” which stars former ‘50s heartthrob Tab Hunter as a handsome biology teacher and is the best song about plant sex <em>ever</em> — it’s downright educational, even if we never really find out where the pollen goes. (“Make my stamen go berserk!” is a punny line at a <em>RuPaul&#8217;s Drag Race</em> level, which makes up for that.)</p>
<p><iframe src="https://www.youtube.com/embed/BwM0SPJ9Gj0" width="560" height="315" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p>And is there <em>anything</em> sexier than Stephanie Zinone pining for a “Cool Rider” that can “burn her through and through” while dancing in painted-on black jeans? <em>No</em>. No, there is not.</p>
<p><iframe src="https://www.youtube.com/embed/RYB317pljts" width="560" height="315" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p>And, speaking of tight pants, here’s one last pro-<em>Grease 2</em> argument: The sequel’s costumes are total fashion #GOALS. Laura Petrie-worthy Capri slacks, the Marilyn Monroe-esque Paulette (played by Judy Garland’s daughter, Lorna Luft!) in glamorous gold lamé, sexy-secretary pencil skirts, Cyndi Lauper-style cat-eye shades, Stephanie trussed up as an actual Christmas tree for the epic “<a href="https://www.youtube.com/watch?v=UNz_hogQHp0">Girl for All Seasons</a>” number … yep, I’ll take those outfits over Sandy’s post-makeover Spandex jeggings and Candie’s stilettos any day.</p>
<div id="attachment_3112170" style="width: 1034px" class="wp-caption alignnone"><img class="alignnone size-full wp-image-3112170" src="https://media.zenfs.com/creatr-images/GLB/2018-07-02/37caa000-7e36-11e8-995a-c7a1aa8108b0_grease2outfits.jpg" alt="" width="683" height="545" /><p class="wp-caption-text">The fashion-forward Pink Ladies of <em>Grease 2</em>. (Photo: Paramount Pictures)</p></div>
<p>Sadly, Pfeiffer hasn’t expressed much pride in her first big starring role. (“I hated that film with a vengeance and could not believe how bad it was. At the time, was young and didn’t know better. … I hear it’s a cult movie now,” she once told <a href="http://www.hollywood.com/movies/michelle-pfeiffer-wants-to-star-in-grease-remake-with-jessica-simpson-57170578/">Hollywood.com</a>.) Caulfield has actually <a href="https://www.telegraph.co.uk/films/0/career-ender-actors-hated-films/maxwell-caulfield-michelle-pfeiffer-grease-ii/">blamed <em>Grease 2</em> for derailing his career</a>. And Olivia Newton-John is <a href="https://www.closerweekly.com/posts/olivia-newton-john-michelle-pfeiffer-grease-115558/photos/john-travolta-84270">also not a fan</a>. However, Pfeiffer’s <em>Ant-Man</em> co-star, Paul Rudd, knows what’s up: In an amusing <em>Grease 2</em> lyric-quoting interview with <em><a href="https://www.etonline.com/media/videos/paul-rudd-absolutely-loves-grease-2-starring-michelle-pfeiffer-and-its-adorable-105105">Entertainment Tonight</a></em> about his experience with the woman formerly known as Stephanie Zinone, he said, “Don’t think I didn’t think about <em>Grease 2</em> several times! We’re doing a scene, and I’m just playing, ‘Cool-cool-cool-cool rider’ over and over in my head.”</p>
<p>Go check out the underrated flick <a href="https://www.amazon.com/Grease-2-Michelle-Pfeiffer/dp/B00008Z45B">here</a>, or go fall down a <em>Grease 2</em> internet rabbit hole <a href="http://grease2.net/">here</a>, and you’ll have that song in your head, too, I guarantee. Because this movie was always C-O-O-L.</p>
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		<title>&#8216;The Room&#8217; Soundtrack Writers Talk Working With Tommy Wiseau</title>
		<link>https://www.lyndsanity.com/music/the-room-soundtrack-writers-talk-working-with-tommy-wiseau/</link>
		<comments>https://www.lyndsanity.com/music/the-room-soundtrack-writers-talk-working-with-tommy-wiseau/#comments</comments>
		<pubDate>Thu, 11 Jan 2018 22:37:57 +0000</pubDate>
		<dc:creator><![CDATA[Lyndsey Parker]]></dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Rad Stuff]]></category>
		<category><![CDATA[American Idol]]></category>
		<category><![CDATA[interviews]]></category>
		<category><![CDATA[the room]]></category>

		<guid isPermaLink="false">http://www.lyndsanity.com/?p=1961</guid>
		<description><![CDATA[More than 15 years ago, a gospel singer named Kitra Williams, her son Jarah Gibson, and teen singer Clint Jun Gamboa met up with a “peculiar” black-clad man in a nondescript room in a Los Angeles mini mall, hardly realizing they were about to make history with the one and only Tommy Wiseau, the director, [&#8230;]]]></description>
				<content:encoded><![CDATA[<div id="attachment_2293471" style="width: 760px" class="wp-caption alignnone"><img class="alignnone size-full wp-image-2293471" src="https://media.zenfs.com/creatr-images/GLB/2018-01-11/bda9d1d0-f710-11e7-a7b2-3750ff3021b1_GettyImages-460049740.jpg" alt="" width="750" height="500" /><p class="wp-caption-text">Tommy Wiseau (Photo: Josh Brasted/Getty Images)</p></div>
<p>More than 15 years ago, a gospel singer named Kitra Williams, her son Jarah Gibson, and teen singer Clint Jun Gamboa met up with a “peculiar” black-clad man in a nondescript room in a Los Angeles mini mall, hardly realizing they were about to make history with the one and only Tommy Wiseau, the director, producer, writer and star of one of the best worst movies of all time, <a href="https://www.yahoo.com/entertainment/film/the-room/"><em>The Room</em></a>.</p>
<p>The R&amp;B slow jams they came up with — “You’re My Rose” (written and performed by Williams), “Crazy” (written and performed by Gamboa), “I Will” (written by Williams and performed by Gibson), and “Baby You and Me” (written by Williams and Gibson and performed by Gamboa with Bell Johnson) — ended up soundtracking the infamous flick’s four cringeworthy, gratuitous sex scenes, much to the churchgoing Williams’s embarrassment at the time. When <em>The Room</em> became an instant laughingstock at its now legendary Hollywood premiere, the musicians slinked out of the theater and moved on with their lives, quickly putting the bizarre project behind them. (Gamboa later became a contestant on <em>American Idol</em> Season 10, making it to the top 24 live shows; watch his audition <a href="https://www.youtube.com/watch?v=h5BcM-ZOFUw">here</a>.)</p>
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<p>Years later, when <em>The Room</em> became a cult classic and eventually inspired the Golden Globe-nominated film-about-the-film <em>The Disaster Artist</em>, Williams, Gamboa, and Gibson could not have been more shocked … especially since they claim they barely saw any money from <em>The Room</em>’s soundtrack, released on Wiseau&#8217;s own TPW Records in 2003 and <a href="https://itunes.apple.com/us/album/room-original-motion-picture-soundtrack/1049062231">now available on iTunes</a>. Yahoo Entertainment caught up with Williams and Gamboa this week — the week that <em>The Room</em> at long last received a wide theatrical release &#8212; to discuss their involvement with the “<em>Citizen Kane</em> of bad movies,” what Wiseau was really like, and if they’ll ever be able to get in touch with Wiseau and finally get to say, “Oh hai, royalties!”<strong> </strong></p>
<p><strong>GAMBOA:</strong> How I got involved was through one of my friends, Kitra Williams, a lady that&#8217;s like my auntie. She had the connection. She just called me one day and said, &#8220;Hey, come on, we&#8217;re gonna go to this thing,&#8221; and we literally went right after church.</p>
<p><strong>WILLIAMS:</strong> It was through my girlfriend&#8217;s husband at the time. He introduced me to Tommy, and we hit it off really well. Tommy heard some of my music, and we went back and forth a couple times and locked down a deal. … My son and I were the original songwriters of pretty much the whole soundtrack. Clint was a part of our family, besides being a phenomenal vocalist, so we asked him if he would sing and write one of the songs on there.</p>
<p><strong>GAMBOA:</strong> After church, we went to go meet Tommy. It was in L.A. somewhere; he was renting out this space. The parking lot was in one of those plazas where it&#8217;s a bunch of different little shops. We didn&#8217;t have anything written. He just showed us the scene that we were going to be singing over, and we went in the booth. We could see through the little window, on the little TV screen as we were singing, this love scene that was going on between him and the leading lady [Lisa, played by Juliette Danielle] in the movie. It was very awkward, because I was young at the time — I was like 18, maybe, barely legal — and we&#8217;re just leaving church singing about Jesus, and then we go to this thing and we&#8217;re having to freestyle some love song over some raunchy love scene, while I’m standing next to this holy lady!</p>
<p><strong>WILLIAMS:</strong> Well, at the time I didn&#8217;t look at it like it was a sex scene. I imagined [Tommy and Juliette] were married. So it was all good.</p>
<p><strong>GAMBOA</strong>: When we first met Tommy, when he was showing us this movie, and he really hyped it up to us. He&#8217;s like, &#8220;My movie is so amazing!!!” He got us all excited about it. And then, when we were sitting there watching that one little love scene, it was just kind of like, “<em>ew</em>.” Not to be mean, but when you look at his face, it’s not really something that you want to look at in a love scene. Or his ass.</p>
<p><strong>WILLIAMS:</strong> He was eccentric, but you know, people call <em>me</em> eccentric too! He was very friendly, and I think that&#8217;s what I liked about him most. He was very approachable, and very adventurous, and just really, <em>really</em> excited about what the future had for him. We were all rooting him on. And then after we saw the final results, we were like, “Um, <em>okaaaay</em>. Great…” But we were still rooting for him.</p>
<p><strong>GAMBOA</strong>: I was just tripping out how we’d literally just left church, went straight over there, and didn&#8217;t even know what we were getting ourselves into. … We were watching the scene [with Tommy’s bare butt closeup] and the girl’s boob, and everyone was talking about how [Juliette’s] boobs were lopsided or something like that. I was just embarrassed, because I was standing right there seeing a boob, with my <em>auntie</em>. I was like, “We&#8217;re not supposed to be watching this!”</p>
<p><strong>WILLIAMS:</strong> But Clint and I just love meshing our voices together. Whenever we can sing together, we can. So we just began to sing. And stuff magically began to happen. We would kind of look at each other like, “What just happened?”</p>
<p><strong>GAMBOA</strong>: Tommy played some music, and we were all just feeding off of each other, really. It was more of a collaborative thing, rather than all of us trying to individually do something, so we were looking at one another, pointing at each other, saying, “OK, now you sing something.” Then like, “OK, now you do something.” We all took our turn, but we had to work together.</p>
<p><strong>WILLIAMS:</strong> He gave us like an outline of what was going to be going on in each particular scene, and what he wanted. Like for one scene, he wanted the song in a Guns N’ Roses vein. Then there was another song, “I Will,” that he wanted to be a country song. So we made it country — and he didn&#8217;t like it! He said, “It doesn&#8217;t have the country feel that I need. Just sing it regular.” So we did, and then I think it became one of the most beautiful songs that I&#8217;ve ever in my life written. The lyrics are just profound.</p>
<p><iframe src="https://www.youtube.com/embed/5iVBuA3vnQ4" width="560" height="315" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p><strong>GAMBOA: </strong>Specifically for the “Rose” song, there was a Guns N&#8217; Roses song that he played for us to reference, like a vibe. It was one of their slower ones; I think it was “Patience” or “November Rain.” That’s how he wanted the song to sound over that love scene. …Tommy was into what we were doing. He really did like our singing, and he really did like us. We weren&#8217;t going to be disrespectful in any way, because when it comes down to it, he was very nice and he was paying us to do a service. But looking back on everything, it really is crazy to see from how it all started to where it is now. I definitely would like to reach out to him and maybe see if he would be willing to give us something.</p>
<p><strong>WILLIAMS:</strong> We convinced him [we were right for soundtrack]. We had great production, and it was everything he wanted it to be. I just wish that the dollars and cents had added up to his gratefulness. Maybe it will now, who knows? I&#8217;m going to reach out and see exactly how fair square he is.</p>
<p><strong>GAMBOA</strong>: We got paid 500 bucks, <em>total</em>, to split between three or four people.</p>
<p><strong>WILLIAMS:</strong> It was a <em>little</em> more than $500. It was more like $1,000. We had agreed we would get royalties off of stuff, and then after I didn&#8217;t hear no more from Tommy, so I thought, “OK, I guess the darn thing didn&#8217;t do anything, and there&#8217;s nothing to get royalties off of!”</p>
<p><strong>GAMBOA</strong>: I never did ask him what his story was. I think I wasn&#8217;t even thinking about that. Obviously, I was really young at the time, and I was just excited to be a part of something. It was about gaining experience for me, so I didn&#8217;t really ask him any questions on how much money the guy had, or how much money was being put into the movie. I wasn&#8217;t really educated on those things at that time, so I didn&#8217;t think to even ask those kinds of questions. Now I&#8217;m more aware of how things work, so I&#8217;m more inclined now to ask people questions about that kind of stuff — like how much are we going to get paid!</p>
<p><strong>WILLIAMS:</strong> I never asked [about his background]. You don&#8217;t ask guys with accents where they&#8217;re getting their money from. [<em>laughs</em>] He was a very classy man, and so you knew he was getting his money from <em>somewhere</em>.</p>
<p><strong>GAMBOA</strong>: The time that we met him, that initial meet and greet with Tommy, we just freestyled it. But then we actually had a little bit of time, once he paid us. We had a friend that had a recording studio, and we had a couple people make the music for it. It was even hard even trying to convince them to do it, because everybody likes to get paid. We only had so much money to split between so many people. We even had to take a bit of a pay cut to pay one of my other friends [Bell Johnson] to come sing on one track [“Baby You and Me”]. I don&#8217;t even know if she even got the rest of her money; it was like 50 bucks or something that she was supposed to get. And now, to find out that, like, $5 million went into that movie…</p>
<p><iframe src="https://www.youtube.com/embed/VGPrlgmRK-k" width="560" height="315" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p><strong>WILLIAMS: </strong>But did the money <em>really</em> go into the movie? Because that was <em>not</em> $5 million worth of <em>nothing</em>! I’m sorry, but come on now. I’m going to tell Tommy, “Next time you find $5 million, you take it and you invest it in some acting lessons — every penny of it!”</p>
<p><strong>GAMBOA</strong>: To me [$500] was a lot to be paid at that time, because I didn’t know the magnitude of how people got paid in the industry. And we didn’t know how much this thing was going to blow up. We weren’t thinking that this movie was even going to go anywhere. We thought it was just some low-budget thing that would probably only get seen by a few people, and nothing would really come of it. But it just became this big ol’ thing, and now here’s my auntie Kitra, this gospel singer, all paranoid because she&#8217;s like, “Oh Lord, they’re gonna find out that I was singing on this movie!&#8221; It&#8217;s kind of crazy, but with some things you just have to take a loss.</p>
<p><strong>WILLIAMS:</strong> Maybe it&#8217;s time to maybe knock on Mr. Wiseau&#8217;s door, and say, “Hey, how you doing, happy new year! I&#8217;m the one that sang ‘You’re My Rose’!”</p>
<p><strong>GAMBOA:</strong> I remember going to the premiere. We did the whole red-carpet thing. When we got there, the vibe, we were trying to feel it out, and it seemed pretty cool at first. Everybody seemed to be having a good time. But we could hear people whispering amongst themselves, talking about the movie, and nobody was really saying anything good about it. Then when it came time to play the movie, we didn&#8217;t even stay for the whole thing. It was hard enough to sit and watch the movie, but to see everybody laughing and mocking it was embarrassing. We had to duck out of there — we sat in the back anyways — because we were like, &#8220;Ooh, this is <em>rough</em>.&#8221;</p>
<p><strong>WILLIAMS:</strong> Oh, honey. Let me tell you, when we first saw the movie, this was our big debut, and we walked in there so excited. But then I thought, “OK, something is not right.” Everybody was making a mockery of it. We just said, “Look, we gotta ease our way out of here.” We creeped out of the theater. But before that, we kind of enjoyed a little mockery ourselves. It was kind of like laughing at ourselves. You have to laugh to keep from crying.</p>
<p><strong>GAMBOA:</strong> I think Tommy was drunk that night. He was sitting in the front row, and he kept getting up and yelling at the audience. He was really angry [at the people who were laughing]. Even beforehand, he was already a little drunk, because I think he was overhearing what people were saying about the movie.</p>
<p><strong>WILLIAMS:</strong> I admit, I had thought this was my big break. I had hoped that one day that my dreams of becoming this actress-slash-singer would land me somewhere, and I thought, “If they can’t <em>see</em> me on the big screen, maybe they’ll <em>hear</em> me.” So I thought my only opportunity to make the big time had been devastated. It was a big flop. This was supposed to be my moment, and it just didn&#8217;t happen for me like that. … So we left <em>The Room</em> in our past. We said that was just a piece of the past that never came to pass. It was so devastating, we didn&#8217;t want to reach back to any of that.</p>
<div id="attachment_2293556" style="width: 675px" class="wp-caption alignnone"><img class="wp-image-2293556 size-full" src="https://media.zenfs.com/creatr-images/GLB/2018-01-11/4451a490-f713-11e7-8eb5-f528a123bc4a_GettyImages-109416747.jpg" alt="Clint Gamboa" width="665" height="1000" /><p class="wp-caption-text">Clint Gamboa on “American Idol” in 2011. (Photo: Michael Tullberg/Getty Images)</p></div>
<p><strong>GAMBOA: </strong>How I found out that <em>The Room</em> was getting a lot of attention was literally when I was on <em>American Idol</em>. A couple of my friends from high school would go religiously every month to see <em>The Room;</em> it was kind of like <em>The Rocky Horror Picture Show</em>. Those friends, when they saw me on<em> American Idol, </em>they were like, “Hey, weren’t you also a part of <em>The Room</em>?” I was like, “Yeah, how do you even know about that?” They&#8217;re like, “Dude, that movie is the best worst movie ever. It’s this huge deal now.” I thought that was insane.</p>
<p><strong>WILLIAMS:</strong> For quite some years, I hadn’t heard from Tommy, and I’d wondered what was going on with him. But then, slowly but surely, I started hearing that the film was blowing up out of nowhere for being the “worst movie ever.” It was quite entertaining, to say the least.</p>
<p><strong>GAMBOA</strong>: A lot of the people were talking about how the soundtrack and the movie really didn’t fit together, because the soundtrack was too <em>good</em> for the movie! The soundtrack actually was for sale at … what was that store? Sam Goody. I think we found it at the Ontario Mall, there was one Sam Goody that had it. I think you can even purchase it on iTunes now.</p>
<p><iframe src="https://www.youtube.com/embed/ls9oL12iSaw" width="560" height="315" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p><strong>WILLIAMS:</strong> It was a privilege and an honor [to be on the soundtrack], and now I’m hoping to do more work with Tommy. It’s been a while since we spoke with him, and I <em>need</em> to — because we have some pertinent business to discuss.</p>
<p><strong>GAMBOA</strong>: It’s been very hard to reach out to him. … I was going to try and reach out and say, “Hey, now that this movie has blown up, where’s our residuals?” I&#8217;m not trying to throw any bad juju towards Tommy; it is what it is. But I&#8217;m just saying it would be nice to get those residuals, especially since times are really tough right now as a struggling artist.</p>
<p><strong>WILLIAMS:</strong> I’m happy for Tommy, I really am. He worked hard. It paid off for him. It just goes to show if you have a dream, and you persevere and you continue to believe in your dream no matter what people say or how hard they laugh, then surely it will come to pass. I’m encouraged by that, and I’m looking forward to my <em>Room</em> one day, when the same thing will happen for me; I’ve always desired that as well. You know, I starred in<em> Tyler Perry&#8217;s Diary of a Mad Black Woman</em> and Oprah Winfrey&#8217;s <em>The Color Purple</em> on Broadway with Fantasia. My biggest dream was always to get some type of Oscar, or some type of Golden Globe, or something to that effect. I never got the recognition I thought I deserved. So, we’ll see how things turn out.</p>
<p><em>Gamboa recently teamed up with YMCA on a holiday track, “</em><a href="http://www.prweb.com/releases/2017/12/prweb15036346.htm"><em>Spend Christmas With Me</em></a><em>,” to benefit Operation Ride Home, which raises money to help military families get together during the holidays. Williams’s latest endeavor is the </em><a href="https://www.millionyouthpeacemarch.org/"><em>Million Youth Peace March</em></a><em>, which will take place on Oct. 6 in Washington, D.C.</em></p>
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<p><strong style="color: #555555;"><em>This article originally ran on <a style="color: #00ced1;" href="https://www.yahoo.com/music/?ref=gs" target="_blank">Yahoo Music</a>.</em></strong></p>
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		<title>Nevertheless, She Tweeted: #BlockedByTrump Singer-Songwriter Holly Figueroa O’Reilly Talks Free-Speech Crusade</title>
		<link>https://www.lyndsanity.com/music/nevertheless-she-tweeted-blockedbytrump-singer-songwriter-holly-figueroa-oreilly-talks-free-speech-crusade/</link>
		<comments>https://www.lyndsanity.com/music/nevertheless-she-tweeted-blockedbytrump-singer-songwriter-holly-figueroa-oreilly-talks-free-speech-crusade/#comments</comments>
		<pubDate>Sat, 08 Jul 2017 06:18:44 +0000</pubDate>
		<dc:creator><![CDATA[Lyndsey Parker]]></dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Rad Stuff]]></category>
		<category><![CDATA[holly figueroa o'reilly]]></category>
		<category><![CDATA[interviews]]></category>

		<guid isPermaLink="false">http://www.lyndsanity.com/?p=1925</guid>
		<description><![CDATA[Until recently, Seattle’s Holly Figueroa O’Reilly was best known as a self-proclaimed “Grammy-losing songwriter” and the founder of the women-in-music organization Indiegrrl. But since O’Reilly took on Donald Trump under her snarky Twitter handle @AynRandPaulRyan, she has found a different sort of voice, even serving as a national organizer for last weekend’s March for Truth [&#8230;]]]></description>
				<content:encoded><![CDATA[<div id="attachment_1315700" style="width: 410px" class="wp-caption alignnone"><img class="size-full wp-image-1315700" src="http://media.zenfs.com/en/homerun/feed_manager_auto_publish_494/5d623fa8a8287c16f4deed409d67ffba" alt="Holly Figueroa O'Reilly" width="400" height="266" /><p class="wp-caption-text">Holly Figueroa O&#8217;Reilly (Photo courtesy of the artist)</p></div>
<p>Until recently, Seattle’s <a href="https://hollyfigueroaoreilly.com/">Holly Figueroa O’Reilly</a> was best known as a self-proclaimed “Grammy-losing songwriter” and the founder of the women-in-music organization <a href="http://www.indiegrrl.com/">Indiegrrl</a>. But since O’Reilly took on <a href="https://www.yahoo.com/news/tagged/donald-trump/">Donald Trump</a> under her snarky Twitter handle <a href="https://twitter.com/AynRandPaulRyan">@AynRandPaulRyan</a>, she has found a different sort of voice, even serving as a national organizer for last weekend’s <a href="https://www.yahoo.com/news/protesters-encircle-group-standing-form-slideshow-wp-210621477.html">March for Truth</a> rallies. And O’Reilly refuses to have that voice silenced, launching a free-speech crusade — alongside lawyers Jameel Jaffer, Katie Fallow, and Alex Abdo, from the Knight First Amendment Institute at Columbia University — after Trump blocked her on Twitter last month.</p>
<blockquote class="twitter-tweet" data-lang="en">
<p dir="ltr" lang="en">Here&#8217;s the letter we sent to the president today.<a href="https://t.co/U8WK7U3sVU">https://t.co/U8WK7U3sVU</a> <a href="https://t.co/sc7PVjpLHe">pic.twitter.com/sc7PVjpLHe</a></p>
<p>— Holly Figueroa O&#8217;Reilly (@AynRandPaulRyan) <a href="https://twitter.com/AynRandPaulRyan/status/872185766671142912?ref_src=twsrc%5Etfw">June 6, 2017</a></p></blockquote>
<p><script src="https://platform.twitter.com/widgets.js" async="" charset="utf-8"></script>According to report by <em><a href="http://time.com/4809002/donald-trump-twitter-block-james-comey/">Time</a></em>, O&#8217;Reilly&#8217;s attorneys argue that the president’s Twitter account is a &#8220;designated public form&#8221; and that his blocking followers &#8220;suppresses speech in a number of ways.” They sent a letter Tuesday to the White House requesting that Trump unblock O’Reilly and reportedly hundreds of other Twitter users, and they may file a lawsuit if Trump does not comply. (The White House did not respond to Yahoo Music’s request for comment.) This campaign went viral the following day, when O’Reilly’s passionate essay, “President Trump Is Violating My Constitutional Rights by Blocking Me on Twitter,” ran in the <a href="https://www.washingtonpost.com/posteverything/wp/2017/06/07/president-trump-is-violating-my-constitutional-rights-by-blocking-me-on-twitter/?utm_term=.5dda8a9388b2"><em>Washington Post</em></a>. “Press secretary Sean Spicer said just yesterday that Trump’s tweets are considered ‘official statements by the president of the United States.’ When Trump blocks people for disagreeing with him, he isn’t just deciding not to hear our voices; he’s cutting us off from receiving these official statements,” O’Reilly wrote.</p>
<blockquote class="twitter-tweet" data-lang="en"><p>
Hey! I wrote a little something for the .<a href="https://twitter.com/washingtonpost?ref_src=twsrc%5Etfw">@washingtonpost</a> about Trump blocking me on Twitter.<a href="https://t.co/yexLFmras0">https://t.co/yexLFmras0</a><a href="https://twitter.com/hashtag/WedesdayWisdom?src=hash&amp;ref_src=twsrc%5Etfw">#WedesdayWisdom</a></p>
<p>— Holly Figueroa O&#8217;Reilly (@AynRandPaulRyan) <a href="https://twitter.com/AynRandPaulRyan/status/872411063026827264?ref_src=twsrc%5Etfw">June 7, 2017</a>
</p></blockquote>
<p><script src="https://platform.twitter.com/widgets.js" async="" charset="utf-8"></script></p>
<p>O’Reilly may be politically active and aware, but the retired troubadour and mother of five (including one child with special needs) interestingly tells <a href="https://www.yahoo.com/music">Yahoo Music</a>, “I grew up Republican. Bill Clinton was my first election when I voted Democrat. I’m pretty moderate.” She adds with a chuckle, “I’m actually <em>really</em> moderate for living in Seattle!” In fact, in her Twitter bio, O’Reilly describes herself a “foul-mouthed moderate” — right next to the hashtags #MarchForTruth, #RESIST, and a brand-new one, <a href="https://twitter.com/hashtag/BlockedbyTrump?src=hash">#BlockedByTrump</a>.</p>
<p>However, O’Reilly believes it’s important that all citizens, regardless of their political affiliations or beliefs, are able to freely access the president’s tweets. In this exclusive interview with Yahoo Music, she discusses why Trump has set a dangerous precedent with his social media discrimination, how other musicians and artists are leading the resistance, and if she’d ever run for office herself.</p>
<p><iframe src="https://www.yahoo.com/backspin-the-kills/trump-twitter-us-constitution-maos-182133104.html?format=embed&amp;region=US&amp;lang=en-US&amp;site=music&amp;player_autoplay=false" width="640" height="360" frameborder="0" data-yom-embed-source="{media_id_1:7fc57a41-54cb-3034-a50b-f637804bdf11}"></iframe></p>
<p><strong>Yahoo Music: So how did your “Twitter war” with Trump start?<br />
</strong><strong>Holly Figueroa O’Reilly:</strong> After the election, a lot of us were devastated and really upset, because we thought it was not going to go that way. So right afterwards, I started reply to his tweets — not all of them, but the ones that were especially dumb. I would just tweet dumb things myself underneath, at first, like, “Shut the f*** up. Stop talking. You’re not smart, you’re not helping yourself. Just stop tweeting, you’re bad at it!” At first he was just tweeting stuff like, “Ha ha, I won,” that kind of thing, but then his tweets became more problematic, so then I would reply [more seriously], with factual information and links to things that said exactly the opposite of what he was tweeting. And it kind of went from there.</p>
<p><strong>And what was your tweet that broke the president’s back, so to speak? What made him block you?<br />
</strong>The one that was the clincher was when Trump was overseas and met with the pope, and the pope was obviously not enthralled with his presence and was giving him a dirty look. I joked about that. That was literally it. That was the one that threw him over the edge. Right after that, I was blocked.</p>
<p><strong>How did you realize you’d been blocked?<br />
</strong>I tweeted that in the morning, and I went about my day. Usually my phone would go off any time Trump tweeted, because I had notifications set up, so I thought, “He’s being especially quiet today!” When I got back to my computer later, I found out that a bunch of other people had been blocked, people who usually rose to the top of his comments. I realized maybe I’d been blocked too — and lo and behold, I had.</p>
<p><strong>If you’re so distressed over Trump, why would you have alerts set up to notify you every time he tweets? I imagine that would be stressful.<br />
</strong>Because he’s the <em>president</em>! I wanted to know what he was saying! I mean, he doesn’t give press conferences. He doesn’t talk to the media. The only information we get out of the White House is when the president tweets — and from Sean Spicer, but nobody takes him seriously.</p>
<p><strong>So why do you feel that Trump&#8217;s blocking you is illegal?<br />
</strong>Look, I block people all the time. It’s not unconstitutional. At first I just laughed about it, because it seemed stupid: “The president of the United States has blocked me on Twitter!” It sounds ridiculous. It sounds like a nonissue. But then you look at it like, there are <em>hundreds</em> of people who have been blocked because of their political views. That’s different from just one person being blocked because they’re obnoxious.</p>
<p>When you have <em>elected officials</em> blocking you — people that are supposed to be serving you — and that is their main way of corresponding with the public and you can’t see [what they’re saying], that is like having a town hall meeting and somebody closes the door and you don’t get to go in, just because you don’t agree with the person speaking. It’s not just about me. It’s unconstitutional when he blocks every dissenter who could possibly give a different opinion from the one he has. It’s not just, “Trump blocked you; stop crying, you stupid liberal!” It’s like, “Trump blocked you; you don’t get to participate in democracy the way everybody else does.”</p>
<p>Look at it this way: When FDR did his fireside chats, he was the first radio president. He took control of that medium and made it his own. Nobody else had done that, people were not used to it, and some people gave him a hard time for it, but it was a big thing. Kennedy was the first TV president, and he used that medium to his advantage against Nixon in the debate. And then you’ve got Trump. He’s the “tweeter in chief.” He’s using that medium. That’s why it’s so important that people do not get edged out just because they dissent. It’s like FDR coming to your house and taking your radio away and saying, “Nope, you don’t agree with me, so you don’t get to listen.”</p>
<p><strong>So why did you decide to start this crusade to get Trump to unblock followers?<br />
</strong>I didn’t. The Knight Institute found me — on Twitter, ironically — and asked me if I wanted to join in a potential lawsuit. Right now it’s just a letter to the president; if he doesn’t respond and unblock all of us, then it could potentially be a lawsuit. … We’re hoping that he does the right thing. Barring that, we’ll figure it out from there.</p>
<p><strong>I understand you have a 13-year-old autistic son. I imagine you had a very strong reaction to Trump’s mocking of disabled reporter Serge F. Kovaleski last year.<br />
</strong>That was it for me. That was <em>it</em>. I knew I wasn’t going to vote for Trump, because he proved himself to be the worst possible choice very early on. When he mocked that reporter, that was devastating to me and a lot of people in my circle who have autistic children. We just couldn’t believe it. And then match that against Hillary’s plan for autistic children who’ve aged out of the system — it breaks my heart to even think about it, because it would have been so helpful to so many people. And there is no such plan with the Trump administration. There’s not much of a plan for <em>anything</em> with the Trump administration.</p>
<p><strong>You have more than 77,000 Twitter followers now. Were you active on Twitter in the pre-Trump era?<br />
</strong>I had this Twitter account during the 2012 election, and I tweeted once in a while. But I had maybe 100 or 200 followers. I didn’t feel as engaged, or the need to be as engaged — and I guess I should have.</p>
<p><strong>There’s a school of thought that in times of political and social turmoil, great art and great music is the result — and that that’s the silver lining to all this. As a musician, do you agree? Do you anticipate a renaissance of politically inspired art?<br />
</strong>I think it’s already happening. Like, during the ‘60s, there was a renaissance, a revolution. There were songs written about revolution. And then, during the ‘80s, during Thatcher, there was definitely that. And now, I think musicians and actors have taken the lead on the resistance already. It’s only been six months, and you can see it everywhere. It’s all over Twitter; it’s at the awards shows where people are making statements.</p>
<p><strong>What about you? Are you creating any politically charged music yourself?<br />
</strong>Well, I lost my voice a few years ago [due to rheumatalogical illnesses], so I’m not able to sing anymore. I’m a singer-songwriter, emphasis on <em>singer</em>, and I only write songs if I can sing them myself. So that’s over. It’s done.</p>
<p><strong>I am sorry to hear that. But at the risk of sounding cheesy, it seems you have found your voice again — albeit in a different way, on Twitter. Would you ever consider a second-act career in politics? Maybe run for office someday?<br />
</strong>I think the grass-roots organization thing is more my speed [than being an elected official]. I’m too mouthy to run for office. I’m too opinionated. I don’t think people would appreciate my four-letter words.</p>
<p style="color: #555555;"><strong>Follow Lyndsey on <a style="color: #00ced1;" href="http://facebook.com/lyndsanity" target="_blank" rel="noopener noreferrer">Facebook</a>, <a style="color: #00ced1;" href="http://twitter.com/lyndseyparker" target="_blank" rel="noopener noreferrer">Twitter</a>, <a style="color: #00ced1;" href="http://instagram.com/lyndseyparker" target="_blank" rel="noopener noreferrer">Instagram</a>, <a style="color: #00ced1;" href="https://plus.google.com/+LyndseyParker/" target="_blank" rel="noopener noreferrer">Google+</a>, <a style="color: #00ced1;" href="http://www.amazon.com/Careless-Memories-Strange-Behavior-ebook/dp/B008A8NXGM/ref=sr_1_1?ie=UTF8&amp;qid=1350598831&amp;sr=8-1&amp;keywords=lyndsey+parker" target="_blank" rel="noopener noreferrer">Amazon</a>, <a style="color: #00ced1;" href="http://lyndseyparker.tumblr.com/" target="_blank" rel="noopener noreferrer">Tumblr</a>, <a style="color: #00ced1;" href="http://open.spotify.com/user/lyndseyparker">Spotify</a></strong></p>
<p style="color: #555555;"><strong><em>This article originally ran on <a style="color: #00ced1;" href="https://www.yahoo.com/music/?ref=gs" target="_blank">Yahoo Music</a>.</em></strong></p>
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		<title>Dave Gahan Remembers Performing With Chickens on German TV</title>
		<link>https://www.lyndsanity.com/music/dave-gahan-remembers-performing-with-chickens-on-german-tv/</link>
		<comments>https://www.lyndsanity.com/music/dave-gahan-remembers-performing-with-chickens-on-german-tv/#comments</comments>
		<pubDate>Fri, 17 Mar 2017 02:17:57 +0000</pubDate>
		<dc:creator><![CDATA[Lyndsey Parker]]></dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Rad Stuff]]></category>
		<category><![CDATA[Television]]></category>
		<category><![CDATA[dave gahan]]></category>
		<category><![CDATA[depeche mode]]></category>
		<category><![CDATA[interviews]]></category>

		<guid isPermaLink="false">http://www.lyndsanity.com/?p=1779</guid>
		<description><![CDATA[Ah, the &#8217;80s. It was a wacky and wonderful time for pop music, especially when it came to visuals. MTV&#8217;s programming schedule was packed with gender-bending, genre-crossing new-wavers starring in colorful videos shot in far-flung, exotic locales. But television in far-flung, exotic Europe was apparently even wilder &#8212; and sometimes a bit foul, or at [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><iframe src="https://www.yahoo.com/record-players/dave-gahan-remembers-performing-chickens-210000118.html?format=embed&amp;region=US&amp;lang=en-US&amp;site=music&amp;player_autoplay=false" width="640" height="360" frameborder="0" data-yom-embed-source="{media_id_1:54842c6e-89fe-32eb-95de-1bb45bf29e66}"></iframe></p>
<p>Ah, the &#8217;80s. It was a wacky and wonderful time for pop music, especially when it came to visuals. MTV&#8217;s programming schedule was packed with gender-bending, genre-crossing new-wavers starring in colorful videos shot in far-flung, exotic locales. But television in far-flung, exotic Europe was apparently even wilder &#8212; and sometimes a bit foul, or at least <i>fowl</i>. Take Germany, for example &#8212; a land where performances like the one above, by a young and naïve <a href="https://www.yahoo.com/music/tagged/depeche-mode/">Depeche Mode</a>, could actually happen.</p>
<p><iframe src="https://www.youtube.com/embed/MzEQ5jPEQ68" width="560" height="315" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p>Call it chicken a la Mode. In 1982, the then-burgeoning synthpoppers, whose 14th album <a href="http://Depeche Mode’s Martin Gore: ‘I Can’t Claim That the Songs Were All Written for Trump’"><em>Spirit</em></a> just came out to critical acclaim, were somehow convinced by producers of the German variety show <em>Bananas</em> to mime along to &#8220;See You&#8221; in a prefab barn &#8212; while cuddling live poultry and awkwardly ignoring a random couple canoodling atop an onstage haystack. Nearly a quarter-century later, Mode mouthpiece Dave Gahan still remembers the infamous appearance with a chuckle and a shudder.</p>
<p>&#8220;Back in those days, we&#8217;d go where we were told to go and we&#8217;d end up on these TV shows. This was one in particular where some sort of farmyard scene was the set,&#8221; Gahan laughingly tells Yahoo Music. &#8220;And I remember we got to the point where we were like, &#8216;<i>What</i> are we doing? We show up to these things, we do what we&#8217;re told &#8212; you know, to get our music out there &#8212; but this is kind of the limit!&#8217;&#8221;</p>
<div id="attachment_1099337" style="width: 550px" class="wp-caption alignnone"><img class="wp-image-1099337 size-full" src="http://media.zenfs.com/en/homerun/feed_manager_auto_publish_494/73abce92b570da3b85cb081334d96fa0" alt="Martin Gore and chicken" width="540" height="376" /><p class="wp-caption-text">Martin Gore cuddles a feathered friend on German TV</p></div>
<p>Gahan admits, &#8220;We were scared. It was horrific. That one definitely scarred me. Luckily, shortly after that, we did get to the point where we were like, &#8216;We&#8217;re not doing this anymore. It&#8217;s definitely not doing us any good.&#8217;&#8221;</p>
<p><strong> Follow Lyndsey on <a href="http://facebook.com/lyndsanity" target="_blank" rel="noopener noreferrer">Facebook</a>, <a href="http://twitter.com/lyndseyparker" target="_blank" rel="noopener noreferrer">Twitter</a>, <a href="http://instagram.com/lyndseyparker" target="_blank" rel="noopener noreferrer">Instagram</a>, <a href="https://plus.google.com/+LyndseyParker/" target="_blank" rel="noopener noreferrer">Google+</a>, <a href=" http://www.amazon.com/Careless-Memories-Strange-Behavior-ebook/dp/B008A8NXGM/ref=sr_1_1?ie=UTF8&amp;qid=1350598831&amp;sr=8-1&amp;keywords=lyndsey+parker" target="_blank" rel="noopener noreferrer">Amazon</a>, <a href="http://lyndseyparker.tumblr.com/" target="_blank" rel="noopener noreferrer">Tumblr</a>, <a href="http://open.spotify.com/user/lyndseyparker">Spotify</a></strong></p>
<p><a style="color: #00ced1;" href="https://www.yahoo.com/music/tagged/reality-rocks"><em>This article originally appeared on Yahoo Music.</em></a></p>
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		<title>Emo Puppet Band Fragile Rock Bring Their #PuppetPain to SXSW</title>
		<link>https://www.lyndsanity.com/music/emo-puppet-band-fragile-rock-bring-their-puppetpain-to-sxsw/</link>
		<comments>https://www.lyndsanity.com/music/emo-puppet-band-fragile-rock-bring-their-puppetpain-to-sxsw/#comments</comments>
		<pubDate>Tue, 14 Mar 2017 01:16:25 +0000</pubDate>
		<dc:creator><![CDATA[Lyndsey Parker]]></dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Rad Stuff]]></category>
		<category><![CDATA[fragile rock]]></category>
		<category><![CDATA[interviews]]></category>
		<category><![CDATA[puppets]]></category>
		<category><![CDATA[sxsw]]></category>

		<guid isPermaLink="false">http://www.lyndsanity.com/?p=1823</guid>
		<description><![CDATA[Perhaps not since the ‘80s double-bill of “Puppet Show with Spinal Tap” &#8212; or at least since Dr. Teeth &#38; The Mayhem played San Francisco’s Outside Lands festival last year &#8212; has there been as monumentally felt-tastic a live music event as the South by Southwest debut by the brilliantly named puppet emo band Fragile [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><iframe src="https://video.yahoo.com/emo-puppet-band-fragile-rocks-223524280.html?format=embed&amp;player_autoplay=false" width="640" height="360" frameborder="0" data-yom-embed-source="{media_id_1:8d9b70a3-3be0-3305-a45c-470b03be9cc9}"></iframe></p>
<p>Perhaps not since the ‘80s double-bill of “Puppet Show with Spinal Tap” &#8212; or at least since <a href="https://www.yahoo.com/music/exclusive-interview-backstage-dr-teeth-235432635.html">Dr. Teeth &amp; The Mayhem played San Francisco’s Outside Lands</a> festival last year &#8212; has there been as monumentally felt-tastic a live music event as the <a href="https://www.yahoo.com/music/tagged/sxsw">South by Southwest</a> debut by the brilliantly named puppet emo band Fragile Rock.</p>
<p><iframe src="https://www.youtube.com/embed/HDbkANrP-H8" width="560" height="315" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p>The hyper-emotional, Austin-based collective &#8212; featuring tantrum-tossing, guyliner-sporting frontman Milo S.; blue-haired feminist/<a href="https://www.youtube.com/watch?v=cL0fPOQ9WQQ">rumored Elijah Wood paramour</a>/bassist Nic Hole; wild-eyed drummer Coco Bangs; laid-back, workmanlike guitarist Kyle Danko; and coquettish backup singers the Cocteau Triplets (not to be confused with the Cocteau Twins, of course) &#8212; brought their unique brand of #puppetpain to SXSW this week, with a show at the Sidewinder club featuring a David Bowie tribute, puppet crowd-surfing to Joy Division’s “Transmission,” and heart-on-felt-sleeve songs like “My Journal Is Blank,” “Stay Felt,” &#8220;I Am Sad And So Am I,” and the boldly political rallying cry “Socks Are Murder.”</p>
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<p style="margin: 8px 0 0 0; padding: 0 4px;"><a style="color: #000; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none; word-wrap: break-word;" href="https://www.instagram.com/p/BRm9V7yFAfO/" target="_blank">Bowie cameo during @fragilerockband&#8217;s set #sxsw</a></p>
<p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;">A post shared by Lyndsey Parker (@lyndseyparker) on <time style="font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;" datetime="2017-03-14T06:37:06+00:00">Mar 13, 2017 at 11:37pm PDT</time></p>
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<p><a style="color: #000; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none; word-wrap: break-word;" href="https://www.instagram.com/p/BRm9oYbllkz/" target="_blank">Puppet crowd-surfing to Joy Division!! #sxsw #fragilerock</a></p>
<p>A post shared by Lyndsey Parker (@lyndseyparker) on <time style="font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;" datetime="2017-03-14T06:39:38+00:00">Mar 13, 2017 at 11:39pm PDT</time>
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<p>Yahoo Music met up at SXSW with two of the flame-coiffed Cocteaus (Briex and “Girl Who Has No Name”) in one of the Highball bar’s private karaoke rooms to discuss this milestone in the band&#8217;s career, that persistent Elijah Wood gossip, the important message behind “Socks Are Murder,” Fragile Rock’s <a href="http://www.austinchronicle.com/arts/2016-07-15/brutality-television/">disastrous 2016 audition for <em>America’s Got Talent</em></a>, and the feminist slant of Fragile Rock&#8217;s new Yoko Ono-inspired single, “<a href="https://www.fragilerockband.com/new-album/">Girlfriend Is the Enemy of Rock ‘n’ Roll</a>.”</p>
<p>Stay felt, everyone. #StayFelt.</p>
<p><strong>Follow Lyndsey on <a href="http://facebook.com/lyndsanity" target="_blank" rel="noopener noreferrer">Facebook</a>, <a href="http://twitter.com/lyndseyparker" target="_blank" rel="noopener noreferrer">Twitter</a>, <a href="http://instagram.com/lyndseyparker" target="_blank" rel="noopener noreferrer">Instagram</a>, <a href="https://plus.google.com/+LyndseyParker/" target="_blank" rel="noopener noreferrer">Google+</a>, <a href=" http://www.amazon.com/Careless-Memories-Strange-Behavior-ebook/dp/B008A8NXGM/ref=sr_1_1?ie=UTF8&amp;qid=1350598831&amp;sr=8-1&amp;keywords=lyndsey+parker" target="_blank" rel="noopener noreferrer">Amazon</a>, <a href="http://lyndseyparker.tumblr.com/" target="_blank" rel="noopener noreferrer">Tumblr</a>, <a href="http://open.spotify.com/user/lyndseyparker">Spotify</a></strong></p>
<p><strong style="color: #555555;"><em>This article originally ran on <a style="color: #00ced1;" href="https://www.yahoo.com/music/?ref=gs" target="_blank">Yahoo Music</a>.</em></strong></p>
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		<title>Village People Cowboy Randy Jones on Razzie-Winning Cult Classic ‘Can’t Stop the Music’ and Co-Star Caitlyn Jenner</title>
		<link>https://www.lyndsanity.com/music/village-people-cowboy-randy-jones-on-razzie-winning-cult-classic-cant-stop-the-music-and-co-star-caitlyn-jenner/</link>
		<comments>https://www.lyndsanity.com/music/village-people-cowboy-randy-jones-on-razzie-winning-cult-classic-cant-stop-the-music-and-co-star-caitlyn-jenner/#comments</comments>
		<pubDate>Wed, 22 Feb 2017 00:56:29 +0000</pubDate>
		<dc:creator><![CDATA[Lyndsey Parker]]></dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Rad Stuff]]></category>
		<category><![CDATA[interviews]]></category>
		<category><![CDATA[randy jones]]></category>
		<category><![CDATA[village people]]></category>

		<guid isPermaLink="false">http://www.lyndsanity.com/?p=1814</guid>
		<description><![CDATA[Thirty-six years ago, entertainment publicist John Wilson held a potluck Oscar party at his Los Angeles home, and — inspired by a double feature of the infamous movie musicals Xanadu and Can&#8217;t Stop the Music — he decided to launch his own informal awards show, the Golden Raspberry Awards, or “Razzies,” to recognize the worst in film. [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><img class="aligncenter size-full wp-image-759868" src="http://media.zenfs.com/en/homerun/feed_manager_auto_publish_494/0e10df010af0dec7ed7340e2cd6c2fa3" alt="" width="677" height="1024" /></p>
<p>Thirty-six years ago, entertainment publicist <a href="https://www.yahoo.com/movies/razzie-awards-founder-head-razzberry-opens-shows-history-143000754.html">John Wilson held a potluck Oscar party</a> at his Los Angeles home, and — inspired by a double feature of the infamous movie musicals <em>Xanadu </em>and <em>Can&#8217;t Stop the Music</em> — he decided to launch his own informal awards show, the Golden Raspberry Awards, or “Razzies,” to recognize the worst in film. The latter movie — starring costumed boy band Village People, Steve Guttenberg, and Valerie Perrine; directed by Nancy “Rhoda’s Mom” Walker; and co-written by Allan Carr of <em>Grease</em> fame — was ultimately named Worst Picture at the inaugural Razzies, beating out Olivia Newton-John’s roller-disco disaster.</p>
<p><em><a href="https://www.yahoo.com/movies/razzie-awards-founder-head-razzberry-opens-shows-history-143000754.html"><strong>Related: Razzie Awards Founder and Head Razzberry Opens Up About Show&#8217;s History, Bill Cosby, and Oscar&#8217;s &#8216;Self-Importance&#8217;</strong></a></em></p>
<p>So now the Razzies are a legitimate part of every<a href="https://www.yahoo.com/movies/tagged/awards"> awards season</a> (this year’s ceremony, which includes <a href="https://www.yahoo.com/movies/razzie-awards-2017-batman-v-superman-zoolander-sequel-top-nominations-145138730.html">multiple nominations</a> for <em>Batman v Superman: Dawn of Justice</em>, <em>Independence Day: Resurgence</em>, and <em>Zoolander 2</em>, will take place Feb. 25), and we have Village People to blame — or thank.</p>
<p>Obviously the title<em> Can&#8217;t Stop the Music</em> was incredibly nonprophetic, since Village People’s poorly timed flick came out in 1980, when disco music was well on its way to being stopped. But decades later, the movie has its undeniable charms. It’s notable for its lavish Busby Berkeley productions, its toe-tapping/rump-shaking boogie anthems like “YMCA” and “Milkshake,” and, of course, the first starring cinematic performance by the future Caitlyn Jenner.</p>
<p><iframe src="https://www.youtube.com/embed/6Gk1mIef5iQ" width="560" height="315" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p>Yahoo Music recently spoke with the Village People’s affable original Cowboy, Randy Jones, about this fascinating era in pop culture: when disco made way for new wave and <em>Can’t Stop the Music</em> paved the way for decades of so-bad-they’re-good celluloid classics.<strong> </strong></p>
<p><strong>YAHOO MUSIC: Does <em>Can’t Stop the Music</em> have a cult following today? And are you proud that it was the first-ever winner of the Golden Raspberry Award?</strong></p>
<p>RANDY JONES: Yes, it&#8217;s usually when people get together and watch it on television and drink heavy cocktails and smoke pot — that&#8217;s the way you should watch that movie, really, unless you go see it in a theater and everybody dresses up the way they do for <em>Rocky Horror Show</em>. I do screenings of it that way, when people actually dress up as the characters and run up in front of the screen for “Milkshake” or “YMCA.” But yeah, <em>Can&#8217;t Stop </em>is the reason the Razzies exist.</p>
<p><strong>It certainly had a colorful cast…</strong></p>
<p>Well, I&#8217;m probably one of the only people you&#8217;ll ever talk to that co-starred in a film with Caitlyn Jenner.</p>
<p><strong>What was working with Caitlyn like back then?</strong></p>
<p>Bruce Jenner was just a great guy. He was nothing but the best. He was the nicest, the most American, the purest-acting human being. He was polite, he helped me rehearse my lines, he was sexy, he was handsome, he was married, he was young, he was enthusiastic, he was cooperative. I never saw him get angry with people, I never saw him get frustrated. He just appeared to be the absolute perfect person to be on the front of a Wheaties box. And he was very kind to me, very generous. When we were shooting the year of &#8217;79, one of my great remembrances is I celebrated my birthday on Sept. 13 in West Hollywood in the nightclub scene, at a place called Studio One. I still to this day have a birthday gift from him, which was a fabulous pair of aviator sunglasses. Porsche Carrera used to do a sunglasses line, which was incredible, where you could change out the lenses. They were wonderful sunglasses, and I still have those as a gift from him. Bruce had a beautiful Porsche that he drove too.</p>
<p><iframe src="https://www.youtube.com/embed/GmoUEX1Rd44" width="560" height="315" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p><strong>What else do you remember about that co-starring experience?</strong></p>
<p>He was an incredible guy. He was the epitome of the American jock. I mean, you&#8217;ve got to understand, this is the guy who had won a gold medal in &#8217;76 at the Olympics and was on the front of a Wheaties box. If you go back and find a clip of from that film on YouTube, he had the confidence to shoot that movie where he wore that crop-top white T-shirt and those little tiny Daisy Dukes, and do it with all enthusiasm. And I&#8217;ve got to say, he had some of the best hairy thighs I&#8217;d ever seen on a man [<em>laughs</em>]. He had some great legs, he had a great body, he was a great athlete.</p>
<p><strong>Did you have any idea that Caitlyn was suffering from gender dysphoria, and would one day transition and present as a woman?</strong><strong> </strong></p>
<p>Not one inkling did I ever experience, see, or hear that. And I rehearsed with this person, saw this person I saw in his home! I had difficulty wrapping my mind around it in February of 2015, when there were rumors swirling around for maybe a year. And then there was some kind of announcement that he was doing this interview with Diane Sawyer. … I could not wrap my mind around Bruce becoming Caitlyn.</p>
<p><strong>Do you have a better understanding now?</strong></p>
<p>I don&#8217;t watch reality television much. &#8230; I honestly think that — and this is just my take on it, perhaps — that he didn&#8217;t feel like he was treated right, or he was maltreated or beaten down. And when you&#8217;re one of the only men in a house full of women [on <em>Keeping Up With the Kardashians</em>], maybe he felt like he was being overpowered. But he&#8217;s a very smart man. He saw everything, he observed, he got the numbers of their stylists, of their makeup artists, of their hair people, of their designers — he kept a record of it, and when he finally had enough, he said, “Well, all right, I&#8217;ve had enough. F-U, I&#8217;m going to do this better than you&#8217;ve done it!” And so he took all of that, and maybe that&#8217;s what pushed him over the edge. Who knows?</p>
<p><strong>Have you met Caitlyn since her transition? </strong></p>
<p>Yes, I met Caitlyn at the GLAAD Awards this past May in New York City for the first time. I&#8217;d known Bruce for all those years, but I&#8217;d never met Caitlyn. It was the pivotal moment for me that helped me to understand, when I looked and saw that three things were the same: the eyes, the voice, and to hold the hand. I knew that was the person that I know.</p>
<p><strong>It’s interesting that you, and probably most other people, had no idea what was really going on with Jenner’s identity struggle in the ‘70s.</strong></p>
<p>Well, I can absolutely swear to this: When <em>Can&#8217;t Stop the Music</em> came out, starring Valerie Perrine and Village People and Bruce Jenner, the reviews for most of us were not good. Bruce was not recommended or commended for his acting skills. But I can tell you one thing: Caitlyn Jenner is the best actress in the world! Because for the 62, 63, 64 years before she presented herself as Caitlyn Jenner to the world, she had everybody convinced that she was Bruce Jenner, an Olympic athlete, one of the nicest, best guys in the world, a father, a husband. That takes the ultimate skill of any actor. So I can say Caitlyn Jenner is a great actress. That Razzie was not deserved! Caitlyn Jenner is one of the best actresses in the world! [<em>Editor’s note: Jenner was nominated, but lost the first Worst Actor Razzie Award to </em>The Jazz Singer <em>star Neil Diamond.]</em></p>
<p><strong>Village People are forever associated with the 1970s, but one thing that stands out in <em>Can’t Stop the Music</em> is this relentless optimism for the 1980s — this excitement that the ‘80s and big things are right around the corner. </strong></p>
<p>I was actually very excited about the &#8217;80s. I&#8217;m upbeat, I&#8217;m positive, I&#8217;m enthusiastic, I&#8217;m always looking forward to fun. I don&#8217;t have a dark outlook of this world. I was very much looking forward to the &#8217;80s. Being born in 1952, in 1980 I was 28 years old, and I was riding high with tens of millions of records sold. I had just come off making a $25 million movie, which was a big-budget movie in 1979-1980, produced by the guy who had produced <em>Grease</em>, starring Bruce Jenner — who to me is forever the 1976 decathlon gold medal winner, the best athlete in the world, the guy who can run further, jump further, run faster, throw the javelin further, the hammer, the discus, everything a jock has to do to be a great athlete. I had made a movie with <em>him</em>! And also, I couldn&#8217;t remember the last time I had heard someone tell me “no.” So yes, I was really looking forward to the &#8217;80s.</p>
<p><iframe src="https://www.youtube.com/embed/gcw6GN7Kfv0" width="560" height="315" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p><strong>Village People even released a song called &#8220;Ready for the &#8217;80s” in 1979.</strong></p>
<p>Hugh Hefner actually had a <em>Playboy</em> special; I think you can find it on YouTube. It was a remarkable party, a roller-skating party, and Dorothy Stratten [was there]. This was the year that she was Playmate of the Year, in 1980. I went out with her a couple of times, and she was a great gal. She&#8217;s out in front and very prominent in that special. We performed &#8220;Ready for the &#8217;80s,&#8221; &#8220;Rock and Roll Is Back Again,&#8221; and &#8220;YMCA&#8221; on that special.</p>
<p><iframe src="https://www.youtube.com/embed/MN5qBoDNvN0" width="560" height="315" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p><strong>But then in 1981, when Village People <em>really</em> tried to embrace the ‘80s and go all New Romantic/new wave on <em>Renaissance</em>, you didn’t participate. How come?</strong></p>
<p>This is what happened with that. We spent [1979-1980] making <em>Can’t Stop the Music</em>, and the balance of that year completing a world tour. You had the “Disco sucks! Death to disco!” movement starting to rumble then … and our producers and the majority of the group had been on this yearlong tour being exposed to a lot of different kinds of music around the world, especially what you might call new wave: Steve Strange, Adam Ant, all of that stuff that was happening in Britain and Europe. They saw that as something coming up over the horizon. And they were disappointed in the [lack of] success of <em>Can&#8217;t Stop the Music</em> in America. So they were rethinking how to proceed. The majority of opinions from the producers, from the composers, and the members of the group was that we needed something different. I did not agree. … I thought too much had been invested in these six characters for the group and the entity that was Village People. I thought it was an insulting move to essentially slap that audience in the face and get rid of the characters and turn around and say, “This is a new look; this is a new vision of Village People.” So I ended my relationship as a member of the group before that happened.</p>
<p><img class="aligncenter size-full wp-image-759866" src="http://media.zenfs.com/en/homerun/feed_manager_auto_publish_494/63e5e57bda5782137d9039c77266a0f6" alt="" width="600" height="600" /></p>
<p>The producers felt that this was a moment for them where they could break with that image of what the original image of the guys were, and they delivered six guys in facepaint à la <a href="https://www.yahoo.com/music/6-degrees-of-steve-strange-how-he-created-the-110925900151.html">Steve Strange</a>, à la Visage, à la Adam and the Ants&#8230; and it was not a successful project for RCA. I felt that I was correct in not moving forward to be part of that. That imagery lasted for that one project, and then the group went back to the original look, and I reorganized the group and it limped along for a few more years, and then I reorganized the group in &#8217;86-&#8217;87, and the group still performs to this day as an entity, basically as a franchise, but as a group “Village People” with the original characters. And I&#8217;m very proud of the fact that it does.</p>
<p><iframe src="https://www.youtube.com/embed/rhIvdbxRe7o" width="560" height="315" frameborder="0" allowfullscreen="allowfullscreen"></iframe><br />
<strong>But would you say Village People&#8217;s campy aesthetic influenced the 1980s at all?</strong></p>
<p>I absolutely think that&#8217;s what we did. I think we paved some ground for people like Culture Club, like Boy George — not only anything that might be seen as LGBT, but also we paved the ground for boy bands that have come along since then.</p>
<p><strong>Did the demise of disco sadden you?</strong></p>
<p>You know, as Gloria Gaynor once said: &#8220;Disco didn&#8217;t go anywhere, they just changed the name to &#8216;dance music.&#8217;&#8221; It&#8217;s still the same. People are always going to want to dance. They&#8217;re always going to want to have music that makes them feel like dancing. But the one thing I can say is I know the music that we did as Village People, and so much of the music that people consider disco music from the &#8217;70s, is music that you can put on at any time — whether it’s a bar mitzvah, a wedding, a high school reunion, a birthday party, or in a nightclub. The music that people call “disco” makes people feel good, makes people recall a nice, great time, and for a moment, you&#8217;re not thinking about your power bill, you&#8217;re not thinking about your insurance for your car, you&#8217;re not thinking about your mortgage payment, or your rent, or the fact that you&#8217;re having any other difficulty with your boyfriend or your girlfriend or your mom or your dad. You can just get out and float in the music and have a good time and dance. That music from the &#8217;70s always helps people feel better.</p>
<p><iframe src="https://www.youtube.com/embed/AShotr89Xy0" width="560" height="315" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p><strong>I understand your new song “Hard Times” is inspired by that era — and by another disco movie.</strong></p>
<p>Yeah, it’s kind of like a sequel to <em>Saturday Night Fever</em>, where if you think of Tony Manero, what&#8217;s he like, 50, 51, 52, 53 years old? He never realized his Broadway dreams [<em>Editor&#8217;s note: As chronicled in actual sequel</em> Stayin&#8217; Alive], he now maybe works for Con Edison, but he still likes to go out on the weekends and dance. His wife has left him, he&#8217;s divorced, he&#8217;s got a punk-rock right-wing skinhead for a son, his daughter won&#8217;t talk to him, and he lives by himself — but he still goes out and gets his groove on. Maybe he has this ballroom class that he teaches on the weekends, and he&#8217;s got his eye this little-bit-older Latina lady, and he has a great time on Saturday nights. And you know what? Society is going back to that again. It&#8217;s part of what is the American way of life. Americans work harder than anybody else in the world. They work more hours, they work hard on the weekdays, and they might have hard times, but they still like to enjoy themselves on the weekends. That is voiced in “Hard Times,” and it&#8217;s essentially a sequel to <em>Saturday Night Fever</em>.</p>
<p><iframe src="https://www.yahoo.com/movies/razzie-awards-founder-john-wilson-001033002.html?format=embed" width="640" height="360" frameborder="0" scrolling="no" allowfullscreen="allowfullscreen"></iframe></p>
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<p><strong style="color: #555555;"><em>This article originally ran on <a style="color: #00ced1;" href="https://www.yahoo.com/music/?ref=gs" target="_blank">Yahoo Music</a>.</em></strong></p>
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		<title>Party on, Wayne! Take a Trippy Tour of The Flaming Lips’ ‘Oczy Mlody’ Bash</title>
		<link>https://www.lyndsanity.com/music/party-on-wayne-take-a-trippy-tour-of-the-flaming-lips-oczy-mlody-bash/</link>
		<comments>https://www.lyndsanity.com/music/party-on-wayne-take-a-trippy-tour-of-the-flaming-lips-oczy-mlody-bash/#comments</comments>
		<pubDate>Fri, 13 Jan 2017 03:19:04 +0000</pubDate>
		<dc:creator><![CDATA[Lyndsey Parker]]></dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Rad Stuff]]></category>
		<category><![CDATA[interviews]]></category>
		<category><![CDATA[The Flaming Lips]]></category>
		<category><![CDATA[wayne coyne]]></category>

		<guid isPermaLink="false">http://www.lyndsanity.com/?p=1741</guid>
		<description><![CDATA[(Stefon-from-SNL voice) This party had everything… LED unicorns, unicorn-horned birthday cakes, indoor ice cream trucks, stuffed-animal walls, glow-in-the-dark womb chairs, a “bondage-latex room with positive discipline,” Elijah Wood on a furry Vespa, Moby hanging with Shepard Fairey, Miley Cyrus in a plushy onesie… Yes, there ain’t no party like a Flaming Lips party &#8212; especially [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><iframe src="https://www.yahoo.com/music/flaming-lips-album-release-party-235320318.html?format=embed" width="640" height="360" frameborder="0" scrolling="no" allowfullscreen="allowfullscreen"></iframe></p>
<p><em>(Stefon-from-SNL voice) This party had everything… LED unicorns, unicorn-horned birthday cakes, indoor ice cream trucks, stuffed-animal walls, glow-in-the-dark womb chairs, a “bondage-latex room with positive discipline,” Elijah Wood on a furry Vespa, Moby hanging with Shepard Fairey, Miley Cyrus in a plushy onesie…</em></p>
<p>Yes, there ain’t no party like a Flaming Lips party &#8212; especially one jointly celebrating the Jan. 13 release of the Lips’ 14th album, the space-rock opus <em>Oczy Mlody</em>, and the 56th birthday of the Oklahoma eccentrics’ wild-eyed, ringlet-haired ringmaster, Mr. Wayne Coyne.<br />
Coyne’s magical, mystical, (mis)guided tour along the rainbow path at Los Angeles’s Mack Sennett Studios included a pitstop at a grown-up version of a birthday-party spanking machine (manned by rainbow-bright dominatrices); a quickie joyride on that illuminated plush moped; and a dip at a body-painting station (where fans had their limbs decorated with Day-Glo, e-Lip-tical patterns). And it all ended with a cozy, cross-legged chat on the floor of the soiree’s shag-carpeted album-listening room, where Coyne discussed his pal and <em>Dead Petz</em> collaborator Cyrus’s appearance on <em>Ozcy Mlody</em>: the epic, feelgood, three-years-in-the-making closing track “We a Family” (originally titled “Jesus and the Spaceships”).</p>
<p>“The song is kind of heart-warming, it’s kind of dorky, and it’s kind of got this great singalong thing about it,” Coyne sweetly gushed. “Miley and I and our group of friends, when we’re together, we oftentimes will say that we’re family: ‘This is our family.’” Coyne also showed us photos on his phone of the literally Hefty-sized stash of marijuana Cyrus wanted to bring to the event on her party bus. ‘That is <em>not</em> Photoshopped… It’s her version of a ‘bag of pot,’” he joked.</p>
<p>Speaking of drugs, the “fantastical” and futuristic <em>Oczy Mlody</em> is a concept album of sorts about a magical cure-all pharmaceutical that allows partakers to sleep off their troubles for three months at a time. Coyne got a little serious when stressing that it&#8217;s <em>not</em> a political record influenced by the real-life troubles of today.</p>
<p>“You know, I <em>wish</em> that music could impact [on politics]. But I would say to anybody, as much music that’s been made and as much that is put out there every second of every day, and as expressive as artists can be and as powerful as music can be, if it really did [have that impact], I don’t think a Donald Trump would even exist,” he mused. “And I don’t think music <em>needs</em> to do that. I don’t think that’s its place. Music, when it’s at its most powerful, is like a friend of yours that sits with you in your times when you’re confused, in the times when you’re happy, in the times when you’re sad. And it’s there saying, ‘You’re trapped in the isolation of your own mind. But I’m here with you.’ And that’s an insane, insane thing&#8230; I think our music would gladly go past any petty things like a Donald Trump, and go right to your heart. That’s what I want my music to do.&#8221;</p>
<div id="attachment_562830" style="width: 522px" class="wp-caption aligncenter"><img class="size-full wp-image-562830" src="http://media.zenfs.com/en/homerun/feed_manager_auto_publish_494/b7522c20997924b5a6d30cbd8d3c87ce" alt="photo: Paul Rosales" width="512" height="384" /><p class="wp-caption-text">photo: Paul Rosales</p></div>
<p>Looking forward to the new year as the midnight countdown to his birthday approached, Coyne added: &#8220;A lot of people are kind of frightened and sort of &#8212; not <em>cynical</em>, but predicting, because of whatever political situation there is or whatever, that the world is going to turn more unfair, and more brutal, and more stupid. But I don’t really think that. For me, I never lived my life because of who was the governor, because of who was the president, because of who was supposed to be God. I was lucky that I always thought, ‘I’m going to live by my own laws and my own rules.’ And I think we’ll all continue to do that anyway. And if the person that happens to be president believes and helps us with our ways, then great. And if he doesn’t, f*** ‘em! I’ve never waited for the government or anything to be on our side &#8212; why would we think they have to be now? Fighting injustices and helping people less fortunate and caring about humanity in general is our job, regardless of who’s running this f***ing place. So more power to us.”</p>
<p>Enter Wayne’s world now, and watch Yahoo Music’s entire exclusive tour of Thursday’s party in the Facebook Live video below.</p>
<p><iframe style="border: none; overflow: hidden;" src="https://www.facebook.com/plugins/video.php?href=https%3A%2F%2Fwww.facebook.com%2Fyahoomusic%2Fvideos%2F10154210900728372%2F&amp;show_text=0&amp;width=560" width="560" height="315" frameborder="0" scrolling="no" allowfullscreen="allowfullscreen"></iframe></p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" style="color: #555555;" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$24"><span style="font-weight: bolder;">Follow Lyndsey on <a style="color: #221ba1;" href="http://facebook.com/lyndsanity" target="_blank" rel="nofollow noopener noreferrer">Facebook</a>, <a style="color: #221ba1;" href="http://twitter.com/lyndseyparker" target="_blank" rel="nofollow noopener noreferrer">Twitter</a></span><span style="font-weight: bolder;">, <a style="color: #221ba1;" href="http://instagram.com/lyndseyparker" target="_blank" rel="nofollow noopener noreferrer">Instagram</a>, <a style="color: #221ba1;" href="https://plus.google.com/+LyndseyParker/" target="_blank" rel="nofollow noopener noreferrer">Google+</a>, <a style="color: #221ba1;" href="http://www.amazon.com/Careless-Memories-Strange-Behavior-ebook/dp/B008A8NXGM/ref=sr_1_1?ie=UTF8&amp;qid=1350598831&amp;sr=8-1&amp;keywords=lyndsey+parker" target="_blank" rel="nofollow noopener noreferrer">Amazon</a>, <a style="color: #221ba1;" href="http://lyndseyparker.tumblr.com/" target="_blank">Tumblr</a>, <a style="color: #221ba1;" href="https://vine.co/u/1055330911744348160" target="_blank" rel="nofollow noopener noreferrer">Vine</a></span>, <span style="font-weight: bolder;"><a style="color: #221ba1;" href="http://open.spotify.com/user/lyndseyparker" target="_blank" rel="nofollow noopener noreferrer">Spotify</a></span></p>
<p class="canvas-text Mb(1.0em) Mb(0)--sm Mt(0.8em)--sm canvas-atom" style="color: #555555;" data-type="text" data-reactid=".0.0.$0.0.0.1.2.0.2.0.0.$Col1-0-ContentCanvas-Proxy.$Col1-0-ContentCanvas.0.4.2.$24"><strong><em>This article originally ran on <a style="color: #00ced1;" href="https://www.yahoo.com/music/?ref=gs" target="_blank">Yahoo Music</a>.</em></strong></p>
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